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Quote by Charlotte McConaghy

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Wild Dark Shore

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Charlotte McConaghy

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“It was a nice story, but most fairy tales had a dark side to them, especially when it came to a princess’s fate. “A footman or maid?” “I—I don’t believe anyone else is missing,” Lady Crenshaw said. “But Elizabeth wouldn’t… she’s such a good girl. She probably didn’t wish to ruin our trip. It’s not as if she’s a lower-class trollop.” I chomped down on my immediate response, face burning. If she were a he, I doubted they’d call her such names. And her station had nothing to do with the matter whatsoever. Plenty of less fortunate families had more class than Lady Crenshaw had just showed.”

“Well, you did walk away from that beautiful creature in the kitchen without so much as a glance, so I don't know about the genius part," the other woman said, and DJ felt his face warm. "You want to go back in there? I'll introduce you. You can celebrate for real." Both women broke into giggles. DJ almost smiled; maybe he'd overreacted in there a bit. "No thank you," the good doctor said in that voice of hers. "But thanks for thinking I'm desperate enough to be set up with the hired help." DJ stepped away from the door, the warmth on his face turning into an angry burn. The hired help? He had worked at a Michelin-starred restaurant, for crying out loud. For years. People across Paris knew his name. Who the bloody hell did this woman think she was? Sometimes he really, truly hated rich people.”

“Three hundred and thirty-two kids between the age of one month and fourteen years had been confined within the FAYZ. One hundred and ninety-six eventually emerged. One hundred and thirty-six lay dead. Dead and buried in the town plaza. Dead and floating in the lake or on its shores. Dead in the desert. In the fields. Dead of battles old and recent. Of starvation and accident, suicide and murder. It was a fatality rate of just over 40 percent.”

“He overheard the director talking to one of the cameramen. The cameraman was explaining that he couldn’t get a good long shot on the exterior because someone had set up a fake graveyard right in the plaza. “Kids just playing around, I guess, but it’s morbid; we’ll have to get rid of it, maybe bring in some sod to—” “No,” Albert said. “We’re almost ready for you,” the director assured him. “That’s not a fake graveyard. Those aren’t fake graves. No one was playing around.” “You’re saying those . . . those are actually . . .” “What do you think happened here?” Albert asked in a soft voice. “What do you think this was?” Absurdly, embarrassingly, he had started to cry. “Those are kids buried there. Some of them were torn apart, you know. By coyotes. By . . . by bad people. Shot. Crushed. Like that. Some of those kids in the ground there couldn’t take it, the hunger and the fear . . . some of those kids out there had to be cut down from the ropes they used to hang themselves. Early on, when we still had any animals? I had a crew go out and hunt down cats. Cats and dogs and rats. Kill them. Other kids to skin them . . . cook them up.” There were a dozen crew people in the McDonald’s. None spoke or moved. Albert brushed away tears and sighed. “Yeah. So don’t mess with the graves. Okay? Other than that, we’re good to go.”