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Quote by Joseph Amber Barry

“In May 1830, when in Paris alone with little Maurice, she found herself going to museums—the Louvre, the Luxembourg. It was not the first time, but she returned again and again, "as if drunk and nailed to the Titians, the Tintorettos, the Rubens." She suddenly responded to painting as she had long before to music. Whatever métier, whatever trade or profession she would choose, she knew she would be an artist—in letters, in life, in her very being.”

Quote by Joseph Amber Barry

Book:Infamous Woman: the life of George Sand
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Infamous Woman: the life of George Sand

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Joseph Amber Barry

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“Museums are a great cultural experience, and by that I mean a great opportunity for you to repeatedly tell your children not to touch things. I find museums incredibly exhausting, and by that I mean acting like you're interested in some of those exhibits. "So this is a painting by another European painter of another unattractive European from the 1700s? Fascinating." It seems like they were only painting the sad, ugly people back then. "Hey, you're hard on the eyes, why don't I paint your portrait?”

ArtMuseums
Book:Dad Is Fat
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“What I want to hear from museums in their vision statements is about the greater good, and that greater good is more than service audiences, it's about helping a country find truth, find insight, find nuance, and in many ways, what I hope that cultural institutions like this can do is that they're better suited than most to define reality and to give hope.”

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Author:Lonnie G. Bunch III
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“This process taught us to test and challenge the prevailing wisdom about the paucity of African American artifacts. What we discovered was a paucity of effort and creativity rather than a scarcity of collections. I hope that our efforts will spur other institutions to embrace community-driven collecting and commit the resources to look inside the basements and garages for material that was once deemed less important to the interpretive agenda of museums. Not every cultural organization will discover items from Harriet Tubman, Nat Turner, or Marian Anderson, but every museum that makes the effort will find discover items from Harriet Tubman, Nat Turner, or Marian Anderson, but every museum, but every museum that makes the effort will find objects that document the lives, the work, the resiliency, and the dreams of their community.”

HistoryCollectionsMuseumsAfrican AmericansBlacksCollectingAfrican American HistoryCommunities
Book:A Fool's Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump
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“Usually Americans have traditionally viewed questions of race as ancillary episodes, interesting but often exotic eddies outside the mainstream of the American experience. Thus, it was important for the [Smithsonian National Museum of African American History and Culture] to demonstrate through its interpretive frameworks that issue of race shaped all aspects of American life: from political discourse to foreign affairs to western expansion to cultural production.... It was also essential that the stories of the museum featured reflect the tension between moments of pain and episodes of resiliency. This must not be a museum of tragedy, but a site where a nation's history is told with all its contradictions and complexity.”

RaceHistoryMuseumsAmerican HistoryAfrican AmericansBlacks
Book:A Fool's Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump
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“I had always believed that the [Smithsonian National Museum of African American History & Culture] should be a safe haven that helps Americans wrestle with and better understand the difficult current issues of race, justice, and equality. In essence, the museum is a bully pulpit that provides NMAAHC with the opportunity and responsibility to clarify and contextualize concerns that often divide or perplex the American public.... I think it is important for NMAAHC, for the Smithsonian, to engage in the public square in a manner that brings reason, knowledge, and contextualization to the contemporary challenges faced by America. Actions like this are not without risk to an institution that operates within a federal umbrella. Yet I believe that museums like NMAAHC have an obligation to use their expertise, their platform, to contribute to the greater good of a nation.”

JusticeRaceHistoryEqualityMuseumsAfrican AmericansBlacksCurrent EventsAfrican American HistoryContext
Book:A Fool's Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump
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“I hope that the [Smithsonian National Museum of African American History & Culture] never retreats from embracing controversy and, no matter how multifaceted or incendiary the issue, NMAAHC will strive to help the public find contextualization and common ground in a safe and civil environment. I trust that the museum will always be a bully pulpit where boldness and innovation are more than just words. And to use that platform to combat the creeping sense of selective historical amnesia that limits America's ability to understand its past, and itself. I hope that NMAAHC will always celebrate its diverse staff in ways that nurture, protect, and challenge. And it is my hope that the museum will prod and remind other cultural entities, both within and outside of the Smithsonian, that the ultimate goal is to make a people, make a country better.”

HistoryInnovationMuseumsAmerican HistoryControversyCurrent EventsContext
Book:A Fool's Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump
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