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Quote by Donika Kelly

“What the tongue wants. Supplication and the burn of crystals expanding. To be, always, a waxing, a waning, and, in waxing again, not ever the same. Waste and deferral. Accumulation and deferral. You are flesh, and you are water, though of the flesh, you are only muscle, and of the water, you are saltless and clean. Be a caution, a reckoning, be a thing that breaks before it bends.”

Quote by Donika Kelly

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Bestiary: Poems

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Donika Kelly

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“Explored through the images of the participants is how the process of the weekly creation and reflection on the self-portrait facilitates the individual’s self-awareness regarding their current functioning and sense of well-being through emotional, spiritual and bodily awareness.”

“Writing will never be perfect in a poet's eye that is why we need people's criticism good or bad, whether or not it gives a positive or negative frame to our work. We are first at hand to fight against the real and the normal in our writing as our outspoken, brimming voice bring truths to light so vividly and intensely for mass consumption that we so long for in our hearts. When the poet, not jubilant, neither spirited, allows his mind to quiet, allows the survival of and realises that all figures of speech matters; when God has witnessed the culmination of his progress; when the writer is almost in a hypnotic stance. Then the poet cannot stop himself when he is in the right place, then he can guess at the intensity, the prowess of his pen, his prolific writing and the intelligence behind his words becomes a self portrait kind of like what Vincent van Gogh used to do when he was depressed and lonely, fighting against the feelings of isolation and rejection by the establishment.”

“It had never really crossed my mind I guess to think about doing self portraits. They've always felt a little narcissistic to me and I'm not exactly the guy who wants to, or is even able to, stare at myself all day. I never take selifes and I barely like glancing at myself in mirrors. Dysphoria has played a huge part in that. It's what Dr. Rodriquez first called the feeling I have when I see myself and I know I don't look the way I'm supposed to. The discomfort I used to have in seeing my hair long and a chest that wasn't flat. I've been lucky enough to see most of the changes I want to see, but I'm still the shortest guy of all my classmates and sometimes I can feel strangers' stares as they watch me, questioning my gender. "Self-portraits are empowering," Jill says. "They force you to see yourself in a way that's different than just looking in a mirror or snapping a picture on your phone. Painting a self-portrait makes you recognize and accept yourself, both on the outside and within. Your beauty, your intricacies, even your flaws. It isn't easy by any means," she tells me then shrugs. "But anything that reveals you, the real you, isn't easy.”

“Oscar Wilde suggested that every portrait painted with feeling is of the artist not the sitter. The artist reveals himself through the coloured canvas. The self-portrait is therefore a consultation of what the artist wishes to say about their art, a physical rendering that aims to included a psychoanalytical evaluation. It may offer and insight into the essence of their creative unconscious, their ambitions and desires. Yet the act of painting a self portrait is also implicitly about death.”