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Quote by Betty Friedan

“It is wrong to keep spelling out unnecessary choices that make women unconsciously resist either commitment or motherhood--and that hold back recognition of the needed social changes.”

Quote by Betty Friedan

Work

The Feminine Mystique

Published in 1963, this influential book delves into the experiences and challenges faced by women in the 1950s and 1960s, highlighting the dissatisfaction and the search for purpose beyond traditional domestic roles. more

Author

Betty Friedan
Betty Friedan

Betty Friedan was an American writer renowned for her groundbreaking work, 'The Feminine Mystique,' which had a profound impact on the women's liberation movement of the 20th century. Her writing exposed the dilemmas faced by women in society, the family, and the workplace, sparking a reevaluation of their status and rights. more

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“Women, it is said, possess corresponding power. Through consciousness-raising, women found that women's so-called power was the other side of female powerlessness. A women's supposed power to deny sex is the underside of her actual lack of power to stop it. Women's supposed power to get men to do things for them by nagging or manipulating is the other side of the power they lack to have their every need anticipated, to carry out the task themselves, or to invoke physical fear to gain compliance with their desires without even having to mention it. Once the veil is lifted, once relations between the sexes are seen as power relations, it becomes impossible to see as simply unintented, well-intentioned, or innocent the actions through which women are told every day what is expected and when they have crossed some line.”

“When men decided women could be educated - this is what I think - they educated them on the male plan; they put them into schools with mottoes and school songs and muddy team games, they made them were collars and ties. It was a way to concede the right to learning, yet remain safe; the products of the system would always be inferior to the original model. Women were forced to imitate men, and bound not to succeed at it.”

“Freedom, or individual liberty, was a basic premise of the Spanish anarchist tradition. "Individual sovereignty" is a prime tenet of most anarchist writing; the free development of one' s individual potential is one of the basic "rights" to which all humans are born. Yet Spanish anarchists were firmly rooted in the communalist-anarchist tradition. For them, freedom was fundamentally a social product: the fullest expression of individuality and of creativity can be achieved only in and through community. As Carmen Conde (a teacher who was also active in Mujeres Libres) wrote, describing the relationship of individuality and community: "I and my truth; I and my faith ... And I for you, but without ever ceasing to be me, so that you can always be you. Because I don' t exist without your existence, but my existence is also indispensable to yours.”

“College feminists made fun of skyscrapers, saying they were phallic symbols. They said the same thing about space rockets, even though, if you stopped to think about it, rockets were shaped the way they were not because of phallocentrism but because of aerodynamics. Would a vagina-shaped Apollo 11 have made it to the moon? Evolution had created the penis. It was a useful structure for getting certain things done. And if it worked for the pistils of flowers as well as the inseminatory organs of Homo sapiens, whose fault was that but Biology's? But no--anything large or grand in design, any long novel, big sculpture, or towering building, became, in the opinion of the "women" Mitchell knew at college, manifestations of male insecurity about the size of their penises.”

“Until recently the locus of sexual fantasy was peopled with images actually glimpsed or were sensations actually felt, or private imaginings taken from suggestions in the real world, a dream well where weightless images from it floated, transformed by imagination. It prepared children, with these hints and traces of other people's bodies, to become adults and enter the landscape of adult sexuality and meet the lover face to face. Lucky men and women are able to keep a pathway clear to that dream well, peopling it with scenes and images that meet them as they get older, created with their own bodies mingling with other bodies; they choose a lover because of a smell from a coat, a way of walking, the shape of a lip, belong in their imagined interior and resonate back in time deep into the bones that recall childhood and early adolescent imagination.”