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Quote by Malebo Sephodi

“And that makes us (black women) feel like we have spokespeople, because everybody we encounter feels they have a piece of you and can tell you how to live your life”

Quote by Malebo Sephodi

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Malebo Sephodi

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“And, where white women are slapped down for daring to be sexual, women of color are slapped down for daring to be anything else: Over the course of her career, Nicki Minaj has spoken about abortion rights, the need for female musicians to write their own work, the difficulty of being an assertive woman in a business setting, and the obstacles black women face in being recognized as creative forces. She is the best-selling female rapper of all time, and her success had done a tremendous amount to awaken critical and commercial interest in female voices within a genre that was largely seen (fairly or unfairly) as a man's game before she showed up. Nicki Minaj has done everything in her power to frame herself as a thoughtful black feminist voice, up to and including staging public readings of Maya Angelou poems. And yet, approximately 89 percent of Nicki Minaj's press coverage, outside of the feminist blogosphere, tends to focus on: her butt.”

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“I began to realize that the stability I had felt all my life was actually a mix of resignation and illusion. I had resigned myself to living a life of struggle, accepting the oppressive nature of capitalism, racism, ad patriarchy as simply the way it was. I had grown not just accustomed to oppression but comfortable with it.”

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“In an economy that values the new, the instant next product, there’s so much pressure to keep producing. to churn things out, to prove your worth in output. But there’s deep value in revisiting what you’ve previously created. Sometimes the work you need is already written by you. like time travel of sorts, the now you travelled back in time to whisper these words because you would need them.”

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“I imagine some artists like myself love the spotlight. It is a beautiful thing to have your art recognised. for it to be admired like a flower in the field. But I wonder, does a flower know it’s a marvel? Does it feel pleasure to be adored? Does it realise when it’s been cut? that it’s been commodified, that an entire value chain exists around it, that hands will decide its worth or would it prefer to be left alone, admired from a distance, its petals untouched, for the bees, for the air. I wonder…”

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Author:Malebo Sephodi
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