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Quote by Rosalind Krauss

“In its confounding of the logic that maintains terms like high and low, or base and sacred as polar opposites, it is this play of the contradictory that allows one to think the truth that Bataille never tired of demonstrating: that violence has historically been lodged at the heart of the sacred; that to be genuine, the very thought of the creative must simultaneously be an experience of death; and that it is impossible for any moment of true intensity to exist apart from a cruelty that is equally extreme.”

Quote by Rosalind Krauss

Book:The Originality of the Avant-garde and Other Modernist Myths
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The Originality of the Avant-garde and Other Modernist Myths

The Originality of the Avant-garde and Other Modernist Myths delves into the origins and evolution of avant-garde art and literature, analyzing the role of originality in shaping modernist movements. The book challenges common perceptions and provides a critical examination of the ideas and practices that define avant-garde creativity. more

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Rosalind Krauss

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“After two or three stanzas and several images by which he was himself astonished, his work took possession of him and he experienced the approach of what is called inspiration. At such moments the correlation of the forces controlling the artist is, as it were, stood on its head. The ascendancy is no longer with the artist or the state of mind which he is trying to express, but with language, his instrument of expression. Language, the home and dwelling of beauty and meaning, itself begins to think and speak for man and turns wholly into music, not in the sense of outward, audible sounds but by virtue of the power and momentum of its inward flow. Then, like the current of a mighty river polishing stones and turning wheels by its very movement, the flow of speech creates in passing, by the force of its own laws, rhyme and rhythm and countless other forms and formations, still more important and until now undiscovered, unconsidered and unnamed. At such moments Yury felt that the main part of his work was not being done by him but by something which was above him and controlling him: the thought and poetry of the world as it was at that moment and as it would be in the future. He was controlled by the next step it was to take in the order of its historical development; and he felt himself to be only the pretext and the pivot setting it in motion. ... In deciphering these scribbles he went through the usual disappointments. Last night these rough passages had astonished him and moved him to tears by certain unexpectedly successful lines. Now, on re-reading these very lines, he was saddened to find that they were strained and glaringly far-fetched.”

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“Keep music and art alive in our schools because the greatness of a country is not measured by wars that are won, by territory annexed or even the size of a deficit. It is measured by the beauty of the art work by talented hands, the sounds of the music created from the heart and by the wonder of the eyes and ears beholding them in joy. Art and music are the windows of the soul of any country. The greater the art created, the greater the country.”

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“A hundred francs! Oh, dear me! It is worth millions of francs, my child. But my -- dealer -- here tells me that in fact a picture is worth only what someone will give for it. How much money do you have?" Julia took out her purse and counted. "Four francs and twenty sous," she said, looking up at him sadly. "Is that all the money you have in the world?" She nodded. "Then four francs and twenty sous it is.”

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Book:The Dream of Scipio
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