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Quote by J.K. Rowling

“Hello, Professor McGonagall,” said Moody calmly, bouncing the ferret still higher. “What — what are you doing?” said Professor McGonagall, her eyes following the bouncing ferret’s progress through the air. “Teaching,” said Moody. “Teach — Moody, is that a student?” shrieked Professor McGonagall, the books spilling out of her arms. “Yep,” said Moody. “Moody, we never use Transfiguration as a punishment!” said Professor McGonagall weakly.”

Quote by J.K. Rowling

Book:Harry Potter and the Goblet of Fire
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Harry Potter and the Goblet of Fire

In this fourth installment of the Harry Potter series, the protagonist, Harry Potter, returns to Hogwarts School of Witchcraft and Wizardry. The story delves deeper into the magical world, introducing new characters and complex plotlines. Harry must navigate the treacherous world of wizardry, facing the dark forces of Voldemort and the Triwizard Tournament. more

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J.K. Rowling

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“Professor Moody!" said a shocked voice. Professor McGonagall was coming down the marble staircase with her arms full of books. "Hello, Professor McGonagall," said Moody calmly, bouncing the ferret still higher. "What - what are you doing?" said Professor McGonagall, her eyes following the bouncing ferret's progress through the air. "Teaching," said Moody. "Teach - Moody, is that a student?" shrieked Professor McGonagall, the books spilling out of her arms. "Yep," said Moody. "No!" cried Professor McGonagall, running down the stairs and pulling out her wand; a moment later, with a loud snapping noise, Draco Malfoy had reappeared, lying in a heap on the floor with his sleek blond hair all over his now brilliantly pink face. He got to his feet, wincing. "Moody, we never use transfiguration as a punishment!" said Professor McGonagall weakly. "Surely Professor Dumbledore told you that?" "He might have mentioned it, yeah," said Moody, scratching his chin unconcernedly.”

Harry PotterTransfigurationDraco MalfoyProfessor McgonagallMad Eye MoodyFerret
Author:J.K. Rowling
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“In the case of Leo, however, Beatrix assured Christopher that in spite of his sharp tongue, Leo was a caring and loyal brother. "You'll come to like him very well," she said. "But it's no surprise that you feel more comfortable around Cam- you're both foxes." "Foxes?" Christopher had repeated, amused. "Yes. I can always tell what kind of animal a person would be. Foxes are hunters, but they don't rely on brute strength. They're subtle and clever. Fond of outwitting others. And although they sometimes travel far, they always like to come back to a snug, safe home." "I suppose Leo is a lion," Christopher said dryly. "Oh, yes. Dramatic, demonstrative, and he hates being ignored. And sometimes he'll take a swipe at you. But beneath the sharp claws and the growls, he's still a cat." "What animal are you?" "A ferret. We can't help collecting things. When we're awake, we're very busy, but we also like to be still for long periods." She grinned at him. "And ferrets are very affectionate.”

LionFoxBeatrix HathawayChristopher PhelanLeo HathawayBeatrix And ChristopherCam RohanAnimals And HumansFerret
Book:Love in the Afternoon
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“Morrissey was singularly small, a man in his mid-thirties who had once been compared to a ferret. He had a thin trap of a mouth and greased black hair that he perpetually attended, directing it back from his forehead with a clogged comb. He was dressed now, as invariably he was, in flannel trousers and the jacket of a blue striped suit over a blue pullover, and a shirt that was buttoned to the neck but did not have a tie in its collar.”

DescriptionFerretMorrissey
Book:Mrs Eckdorf in O'Neill's Hotel
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“Everything was blurry. She needed her spectacles. And it was awfully difficult to go looking for something when you couldn't see more than two feet in front of your face. Moreover, if one of the housemaids found the spectacles in Leo's room, or God help her, in his bed, everyone would find out. Abandoning the slipper, Dodger trotted to her and stood tall, bracing his long, slender body against her knee. He was shivering, which Beatrix had told her was normal for ferrets. A ferret's temperature lowered when he was sleeping, and shivering was his way of warming himself upon awakening. Catherine reached down to stroke him. When he tried to climb into her lap, however, she nudged him away. "I don't feel well," she told the ferret woefully, although there was nothing wrong with her physically. Chattering in annoyance at her rejection, Dodger turned and streaked out of the room. Catherine continued to lie with her head on the table, feeling too dreary and ashamed to move. She had slept late. She could hear the sounds of footsteps and muffled conversation coming from the lower floors. Had Leo gone down for breakfast? She couldn't possibly face him. Her mind returned to those blistering minutes of the previous night. A fresh swell of desire rolled through her as she thought of the way he had kissed her, the feel of his mouth on the intimate places of her body. She heard the ferret come back into the room again, chuckling and hopping as he did whenever he was especially pleased about something. "Go away, Dodger," she said dully. But he persisted, coming to her side and standing tall again, his body a long cylinder. Glancing at him, Catherine saw that something was clamped carefully in his front teeth. She blinked. Slowly she reached down and took the object from him. Her spectacles. Amazing, how much better a small gesture of kindness could make one feel. "Thank you," she whispered, tears coming to her eyes as she stroked his tiny head. "I do love you, you disgusting weasel." Climbing onto her lap, Dodger flipped upside down and sighed.”

Catherine MarksAwwwwwwwwwwwwFerretDodger
Book:Married by Morning
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“When the Devil was a woman, When Lilith wound Her ebony hair in heavy braids, And framed Her pale features all 'round With Botticelli's tangled thoughts, When she, smiling softly, Ringed all her slim fingers In golden bands with brilliant stones, When she leafed through Villiers And loved Huysmans, When she fathomed Maeterlinck's silence And bathed her Soul In Gabriel d'Annunzio's colors, She even laughed And as she laughed, The little princess of serpents sprang Out of her mouth. Then the most beautiful of she-devils Sought after the serpent, She seized the Queen of Serpents With her ringed finger, So that she wound and hissed Hissed, hissed And spit venom. In a heavy copper vase; Damp earth, Black damp earth She scattered upon it. Lightly her great hands caressed This heavy copper vase All around, Her pale lips lightly sang Her ancient curse. Like a children's rhyme her curses chimed, Soft and languid Languid as the kisses, That the damp earth drank From her mouth, But life arose in the vase, And tempted by her languid kisses, And tempted by those sweet tones, From the black earth slowly there crept, Orchids - When the most beloved Adorns her pale features before the mirror All 'round with Botticelli's adders, There creep sideways from the copper vase, Orchids- Devil's blossoms which the ancient earth, Wed by Lilith's curse To serpent's venom, has borne to the light Orchids- The Devil's blossoms- "The Diary Of An Orange Tree”

DecadenceOrchidsLilithOrchidBotticelliVilliers De L Isle AdamGabriele D AnnunzioJoris Karl HuysmansMaurice Maeterlinck
Book:Nachtmahr: Strange Tales
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