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Quote by Iris Murdoch

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The Sea, The Sea

This novel is a rich tapestry of interconnected narratives that delve into the complexities of human experience. Set in the early 20th century, it follows the lives of a group of individuals connected to a theater company. The story is characterized by its exploration of themes such as memory, art, and the fleeting nature of time. The author employs a unique narrative structure that intertwines the lives of these characters, creating a deeply moving and introspective work. more

Author

Iris Murdoch
Iris Murdoch

Iris Murdoch was an Irish-Canadian philosopher and author, born on July 15, 1919, in Dublin, Ireland, and passed away on February 8, 1999. She is celebrated for her philosophical novels that intertwine moral and ethical dilemmas with complex narratives. Murdoch's work has left a lasting impact on the literary world, particularly in the latter half of the 20th century. more

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“I accused Hartley of being a 'fantasist', or perhaps that was Titus's word, but what a 'fantasist' I have been myself. I was the dreamer, I the magician. How much, I see as I look back, I read into it all, reading my own dream text and not looking at the reality. Hartley had been right when she said of our love that it was not part of the real world. It had no place.”

“I contemplated her, seeing her young bland face looking at me, now removed as if behind a gauze curtain. She quietly invited me to suffer. There was a great space now, a great silent hall in which this suffering could take place. There was no urgency now, nothing to plan, nothing to achieve. What shall I do with it, I asked her, what shall I do now with my love for you which you so terribly revived by reappearing in my life? Why did you come back, if you could not content me? What can I do now with the great useless machine of my love which has no wholesome work to do? I can do nothing for you any more, my darling. I wondered if I would be fated to live with this love, making of it a shrine which could not now be desecrated. Perhaps when I was living alone and being everyone's uncle like a celibate priest I would keep this fruitless love as my secret chapel. Could I then learn to love uselessly and unpossessively and would this prove to be the monastic mysticism which I had hoped to attain when I came away to the sea?”

“That is no doubt how the story ought to end, with the seals and the stars, explanation, resignation, reconciliation, everything picked up into some radiant bland ambiguous higher significance, in calm of mind, all passion spent. However life, unlike art, has an irritating way of bumping and limping on, undoing conversions, casting doubt on solutions, and generally illustrating the impossibility of living happily or virtuously ever after; so I thought I might continue the tale a little longer in the form once again of a diary, though I suppose that, if this is a book, it will have to end, arbitrarily enough no doubt, in quite a short while.”