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Quote by C.C. Collodi

“People's lies, my dear, are easy to recognize, because there are only two kinds. Either they're lies with short legs or lies with long noses”

Quote by C.C. Collodi

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C.C. Collodi

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“... without the incarnation, Christianity isn't even a very good story, and most sadly, it means nothing. "Be nice to one another" is not a message that can give my life meaning, assure me of love beyond brokenness, and break open the dark doors of death with the key of hope. The incarnation is an essential part of Jesus-shaped spirituality.”

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Book:Mere Churchianity: Finding Your Way Back to Jesus-Shaped Spirituality
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“Very well. I’m confident Papa told you about our missed connection aboard the Grimm vessel.” “What’s a vessel?” Daphne asked. “The layman calls it a boat,” Pinocchio explained. “What’s a layman?” Daphne asked. “Oh dear. The schools in this town are failing the youth,” Pinocchio said.”

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Book:2018 The Sisters Grimm 9 Book Set & Bonus Journal!
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“The modern abridgments and retellings of Pinocchio, of which Disney’s only the most well known, soften the violence of death in Collodi’s original tale and as a result sweeten and sentimentalize the love that grows within Pinocchio. Thus they also fail to capture the gritty nature of the puppet’s courage and endurance. Pinocchio’s close calls with death, whether when dangling over the showman’s fire, hanging from a tree, or being plunged into the dark depths of the sea, are also the hard lessons he learns about the true value of life, the reality of reciprocal love, and the necessity of self-expending love in the face of evil and danger.”

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Book:Tending the Heart of Virtue: How Classic Stories Awaken a Child's Moral Imagination
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“I told you you’d come," said a nearby voice, one Isobel knew well. "You said you would." (…) "You shouldn’t have, though," he said, and looked up, his face twisted with anger. "Even if we knew you would, you shouldn’t have." He got up and began moving toward her. "Why," he growled, "when we will only show you we are not worth it? Why, when we have no other choice but to prove to you we’re not worth it?”

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Book:Enshadowed
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“To be naked is to be oneself. To be nude is to be seen naked by others and yet not recognized for oneself. A naked body has to be seen as an object in order to become a nude. ( The sight of it as an object stimulates the use of it as an object.) Nakedness reveals itself. Nudity is placed on display. To be naked is to be without disguise. To be on display is to have the surface of one's own skin, the hairs of one's own body, turned into a disguise which, in that situation, can never be discarded. The nude is condemned to never being naked. Nudity is a form of dress.”

Ways Of Seeing
Book:Ways of Seeing
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“A woman must continually watch herself. She is almost continually accompanied by her own image of herself. Whilst she is walking across a room or whilst she is weeping at the death of her father, she can scarcely avoid envisaging herself walking or weeping. From earliest childhood she has been taught and persuaded to survey herself continually. ... ... Every woman's presence regulates what is and is not 'permissible' within her presence. Every one of her actions - whatever its direct purpose or motivation - is also read as an indication of how she would like to be treated. If a woman throws a glass on the floor, this is an example of how she treats her own emotion of anger and so of how she would wish it to be treated by others. If a man does the same, his action is only read as an expression of his anger. If a woman makes a good joke this is an example of how she treats the joker in herself and accordingly of how she as a joker-woman would like to be treated by others. Only a man can make a good joke for its own sake. One might simplify this by saying: men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object - and most particularly an object of vision : a sight.”

Ways Of Seeing
Book:Ways of Seeing
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“Publicity is effective precisely because it feeds upon the real. Clothes, food, cars, cosmetics, baths, sunshine are real things to be enjoyed in themselves. Publicity begins by working on a natural appetite for pleasure. But it cannot offer the real object of pleasure and there is no convincing substitute for a pleasure in that pleasure's own terms. The more convincingly publicity conveys the pleasure of bathing in a warm, distant sea, the more the spectator-buyer will become aware that he is hundreds of miles away from that sea and the more remote the chance of bathing in it will seem to him. This is why publicity can never really afford to be about the product or opportunity it is proposing to the buyer who is not yet enjoying it. Publicity is never a celebration of a pleasure-in-itself. Publicity is always about the future buyer. It offers him an image of himself made glamorous by the product or opportunity it is trying to sell. The image then makes him envious of himself as he might be. Yet what makes this self-which-he-might-be enviable? The envy of others. Publicity is about social relations, not objects. Its promise is not of pleasure, but of happiness : happiness as judged from the outside by others. The happiness of being envied is glamour. Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you. You are observed with interest but you do not observe with interest - if you do, you will become less enviable. ... ... The spectator-buyer is meant to envy herself as she will become if she buys the product. She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself. One could put this another way : the publicity images steals her love of herself as she is, and offers it back to her for the price of the product. (P. 128)”

Ways Of Seeing
Book:Ways of Seeing
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