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Quote by Charles Dickens

“There was the dreary Sunday of his childhood, when he sat with his hands before him, scared out of his senses by a horrible tract which commenced business with the poor child by asking him in its title, why he was going to Perdition?—a piece of curiosity that he really, in a frock and drawers, was not in a condition to satisfy—and which, for the further attraction of his infant mind, had a parenthesis in every other line with some such hiccupping reference as 2 Ep. Thess. c. iii, v. 6 & 7. There was the sleepy Sunday of his boyhood, when, like a military deserter, he was marched to chapel by a picquet of teachers three times a day, morally handcuffed to another boy; and when he would willingly have bartered two meals of indigestible sermon for another ounce or two of inferior mutton at his scanty dinner in the flesh. There was the interminable Sunday of his nonage; when his mother, stern of face and unrelenting of heart, would sit all day behind a Bible—bound, like her own construction of it, in the hardest, barest, and straitest boards, with one dinted ornament on the cover like the drag of a chain, and a wrathful sprinkling of red upon the edges of the leaves—as if it, of all books! were a fortification against sweetness of temper, natural affection, and gentle intercourse. There was the resentful Sunday of a little later, when he sat down glowering and glooming through the tardy length of the day, with a sullen sense of injury in his heart, and no more real knowledge of the beneficent history of the New Testament than if he had been bred among idolaters. There was a legion of Sundays, all days of unserviceable bitterness and mortification, slowly passing before him.”

Quote by Charles Dickens

Work

LITTLE DORRIT

Charles Dickens' 'Little Dorrit' is a complex narrative that explores themes of social class, family loyalty, and the human spirit. The story follows Amy Dorrit, a young woman who spends her formative years in the Marshalsea prison with her family, who are there due to financial debts. The novel delves into the lives of various characters, including Amy's brother Arthur, who is mistakenly believed to be a criminal, and her friend, the artist Merdle. Through these characters, Dickens critiques the British legal system and societal norms of his time. more

Author

Charles Dickens
Charles Dickens

Charles Dickens, a British writer born on February 7, 1812, and died on June 9, 1870, is one of the greatest novelists of the 19th century. Known for his profound social criticism and vivid narrative style, Dickens' works extensively cover social reality, revealing various issues in the British society of the time. more

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“Coll would be a heavenly place to be a child. There are beaches and boats, everyone knows you, it’s the kind of place you leave the door open. If you’re on the island, it’s know. If you catch the ferry to the mainland, well, that’s known about too. Should you have a mishap and require the air ambulance, a helicopter will have you in a Glasgow hospital in twenty minutes, by which time the island will have learned of your fate. A mere thirteen miles of single-track road separates ‘the unspoiled end’ from ‘God’s own country’. There are local land feuds, a limited supply of fresh water, and no high school. In effect, the children leave home when they are an unfledged eleven, to travel as boarders to the secondary school in Oban. Higher education and jobs take them yet farther afield. It seems a price to pay for an apparently idyllic island life, to lose your children so young.”

“عدت بنظري مكملاً طريقي إلى بوابة المعسكر، التي أخذت اقترب منها بينما أتخيل ذلك الطفل القلق الباكي الذي عبر منها منذ سنوات بعيدة مدفوعًا بالأوامر والصياح والضرب، يتلفت يمينًا ويسارًا مع زملائه الصغار، يتأمل ذلك المكان الذي سيصبح عالمه لسنوات طويلة قادمة، لا يعلم هل ستنتهي أم سينتهي قبلها؟!”

“The exception, as ever, was the children. Freed from the constraints of silence which had been enforced during the bard's performance, the children dashed into the woods with wild cries, and enthusiastically immersed themselves in a game whose rules were incomprehensible to all those who had bidden farewell to the happy years of childhood. Children of elves, dwarves, halflings, gnomes, half-elves, quarter-elves and toddlers of mysterious provenance neither knew nor recognised racial or social divisions. At least, not yet.”

“But it may be that the only reason childhood memories act on us so strongly is that, being the most remote we possess, they are the worst remembered and so offer the least resistance to that process by which we mold them nearer and nearer to an ideal which is fundamentally artistic, or at least nonfactual; so it may be that some of these events I describe never occurred at all, but only should have, and that others had not the shades and flavors—for example, of jealousy or antiquity or shame—that I have later unconsciously chosen to give them.”