Quotessence
Home / Quotes / Quote by Brandon Sanderson

Quote by Brandon Sanderson

“The question is not whether you will love, hurt, dream, and die. It is what you will love, why you will hurt, when you will dream, and how you will die. This is your choice. You cannot pick the destination, only the path.”

Quote by Brandon Sanderson

Work

Oathbringer

Browse quotes and source details for this work. more

Author

Brandon Sanderson
Brandon Sanderson

Brandon Sanderson, born in December 1975, is a renowned science fiction and fantasy writer in the United States. His works are known for their rich imagination, complex character development, and profound philosophical insights. His representative works include the 'Mistborn' trilogy and the 'The Stormlight Archive' series, among others. more

You May Also Like

“No one except your husband knows of the cautiousness at the heart of your life. Your adulthood has been a progressive retreat from curiosity and wonder, an endless series of delays and procrastinations. You wanted to be so much, once, but life kept on getting in the way... You settled. Shunned creativity, flight, risk, never had the courage to give a dream, any dream, a go.”

“Amory, sorry for them, was still not sorry for himself - art, politics, religion, whatever his medium should be, he knew he was safe now, free from all hysteria - he could accept what was acceptable, roam, grow, rebel, sleep deep through many nights... There was no God in his heart, he knew; his ideas were still in riot; there was ever the pain of memory; the regret for his lost youth - yet the waters of disillusion had left a deposit on his soul, responsibility and a love of life, the faint stirring of old ambitions and unrealized dreams... And he could not tell why the struggle was worth while, why he had determined to use to the utmost himself and his heritage from the personalities he had passed... He stretched out his arms to the crystalline, radiant sky. "I know myself," he cried, "but that is all.”

“And eventually in that house where everyone, even the fugitive hiding in the cellar from his faceless enemies, finds his tongue cleaving dryly to the roof of his mouth, where even the sons of the house have to go into the cornfield with the rickshaw boy to joke about whores and compare the length of their members and whisper furtively about dreams of being film directors (Hanif's dream, which horrifies his dream-invading mother, who believes the cinema to be an extension of the brothel business), where life has been transmuted into grotesquery by the irruption into it of history, eventually in the murkiness of the underworld he cannot help himself, he finds his eyes straying upwards, up along delicate sandals and baggy pajamas and past loose kurta and above the dupatta, the cloth of modesty, until eyes meet eyes, and then”

“On est forcé d'être des enfants toute sa vie. C'est pour ça que ceux qui veulent devenir des hommes sont malheureux. Vous voulez chanter l'opéra? On rit de vous. Vous voulez vous conduire en monsieur avec les femmes? Elles vous traitent de tapette si vous n'êtes pas champion avec des muscles gros comme ça. Vous voulez avoir une bonne position dans un bureau? La compétence, c'est toujours les autres qui l'ont.”