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Spider Spins a Story: Fourteen Legends from Native America

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Jill Max

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“For years after the American Revolution, the public opposed to the creation of police departments, fearing that they would become forces of repression... Only in the mid 19th century, after the growth of industrial cities and a rash of urban riots - after the dread of the so-called dangerous classes surpassed the dread of the state - did police departments emerge in the United States.”

PoliceAmerican HistoryAmerican IndianPolice StateOsage
Book:Killers of the Flower Moon: The Osage Murders and the Birth of the FBI
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“This is not the "relativism of truth" presented by journalistic takes on postmodernism. Rather, the ironist's cage is a state of irony by way of powerlessness and inactivity: In a world where terrorism makes cultural relativism harder and harder to defend against its critics, marauding international corporations follow fair-trade practices, increasing right-wing demagoguery and violence can't be answered in kind, and the first black U.S. president turns out to lean right of center, the intelligentsia can see no clear path of action. Irony dominates as a "mockery of the promise and fitness of things," to return to the OED definition of irony. This thinking is appropriate to Wes Anderson, whose central characters are so deeply locked in ironist cages that his films become two-hour documents of them rattling their ironist bars. Without the irony dilemma Roth describes, we would find it hard to explain figures like Max Fischer, Steve Zissou, Royal Tenenbaum, Mr. Fox, and Peter Whitman. I'm not speaking here of specific political beliefs. The characters in question aren't liberals; they may in fact, along with Anderson himself, have no particular political or philosophical interests. But they are certainly involved in a frustrated and digressive kind of irony that suggests a certain political situation. Though intensely self-absorbed and central to their films, Anderson's protagonists are neither heroes nor antiheroes. These characters are not lovable eccentrics. They are not flawed protagonists either, but are driven at least as much by their unsavory characteristics as by any moral sense. They aren't flawed figures who try to do the right thing; they don't necessarily learn from their mistakes; and we aren't asked to like them in spite of their obvious faults. Though they usually aren't interested in making good, they do set themselves some kind of mission--Anderson's films are mostly quest movies in an age that no longer believes in quests, and this gives them both an old-fashioned flavor and an air of disillusionment and futility.”

IronyDisillusionmentPostmodernismFilm CriticismPomoRushmoreIronistFantastic Mr FoxThe Royal TenenbaumsWes Anderson
Book:Popular Music and the New Auteur: Visionary Filmmakers after MTV
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“...I take as a point of departure the possibility and desirability of a fundamentally different form of society--call it communism, if you will--in which men and women, freed from the pressures of scarcity and from the insecurity of everyday existence under capitalism, shape their own lives. Collectively they decide who, how, when, and what shall be produced.”

ExistenceCapitalismSocialismCommunismSociologyMarxismUtopiaCollectiveNeo Marxism
Book:Manufacturing Consent: Changes in the Labor Process Under Monopoly Capitalism
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“To be free one must be a slave to reason. But to be a slave to reason (the very condition of freedom) exposes one to both the revisionary power and the constructive compulsion of reason. This susceptibility is terminally amplified once the commitment to the autonomy of reason and autonomous engagement with discursive practices are sufficiently elaborated. That is to say, when the autonomy of reason is understood as the automation of reason and discursive practices—the philosophical rather than classically symbolic thesis regarding artificial general intelligence.”

PhilosophyPoliticsNeo MarxismAccelerationismPost Capitalism
Author:Reza Negarestani
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“Holding him like that moved me in a way I cannot describe, except to say I felt the seeds of death inside his shrivelling frame, and as I laid him in his chair, adjusting his head on the pillows, I had the coldest realisation that our time was running out.”

DeathTimeDyingColdIllMoveHoldRealiseRun Out
Book:Tuesdays With Morrie: An old man, a young man, and life's greatest lesson
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“De som oppdaget Marx på nytt, nymarxistene, skulle få stor innflytelse på 1960-årenes nye venstreradikalisme, som videre har gitt støtet til vekkelsen som i dag går under navnet "woke". Atypiske marxister for for (og som inspirerte) nymarxistene, fryktet at den frigjørende revolusjonen ville utebli dersom man lot alt være opp til de "historiske lover".”

MarxismWokeNeo Marxism
Book:Kateterprofetenes opprør: Arven fra Det nye venstre, og hvordan vår tids vekkelse kritiserer Vesten i stykker
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