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Quote by Anne Morrow Lindbergh

Work

GIFT FROM THE SEA

This novel delves into the introspective experiences of a woman who finds solace and revelation while spending time by the sea. It is a reflective piece that touches upon themes of solitude, nature, and the human spirit. more

Author

Anne Morrow Lindbergh
Anne Morrow Lindbergh

Anne Morrow Lindbergh was an accomplished American author known for her profound personal experiences and elegant literary style. Born on June 22, 1906, and passing away on February 7, 2001, she was not only Charles Lindbergh's wife but also an independent writer and thinker. Her writing career began in the 1930s, with works spanning novels, poetry, and prose. Her first book, 'We Are the Ship,' is a memoir about her life with her husband. Despite the challenges in her marriage, she remained passionate about life and writing. Her other notable works include 'Gift from the Sea' and 'The Aviator's Wife,' which delve into themes of female identity, marriage, and the deeper questions of human existence. Lindbergh's writing has been praised for its insightful observations and beautiful language. Her works have had a wide-reaching impact both in the United States and internationally, influencing subsequent writers and considered an important figure in 20th-century American literature. more

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“Kenji goes suddenly still. At the creak of the door Kenji’s eyebrows shoot up; a soft click and his eyes widen; a muted rustle of movement and suddenly the barrel of a gun is pressed against the back of his head. Kenji stares at me, his lips making no sound as he mouths the word psychopath over and over again. The psychopath in question winks at me from where he’s standing, smiling like he couldn’t possibly be holding a gun to the head of our mutual friend. I manage to suppress a laugh. “Go on,” Warner says, still smiling. “Please tell me exactly how she’s failed you as a leader.” “Hey—“ Kenji’s arms fly up in mock surrender. “I never said she failed at anything, okay? And you are clearly over-react—“ Warner knocks Kenji on the side of the head with the weapon. “Idiot.” Kenji spins around. Yanks the gun out of Warner’s hand. “What the hell is wrong with you, man? I thought we were cool.” “We were,” Warner says icily. “Until you touched my hair.” “You asked me to give you a haircut—“ “I said nothing of the sort! I asked you to trim the edges!” “And that’s what I did.” “This,” Warner says, spinning around so I might inspect the damage, “is not trimming the edges, you incompetent moron—“ I gasp. The back of Warner’s head is a jagged mess of uneven hair; entire chunks have been buzzed off. Kenji cringes as he looks over his handiwork. Clears his throat. “Well,” he says, shoving his hand in his pockets. “I mean—whatever, man, beauty is subjective—“ Warner aims another gun at him. “Hey!” Kenji shouts. “I am not here for this abusive relationship, okay?” He points to Warner. “I did not sign up for this shit!” Warner glares at him and Kenji retreats, backing out of the room before Warner has another chance to react; and then, just as I let out a sign of relief, Kenji pops his head back into the doorway and says “I think the cut looks cute, actually” and Warner slams the door in his face.”

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