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Quote by Aoko Matsuda

“How unfair society was! Male employees had to pretend to be capable of doing things they couldn’t do, while female employees had to pretend to be incapable of doing things they actually could do. Over the years, how many women had seen their talents magically disappear in that way? How many men had seen talents they didn’t possess magically summoned into existence?”

Quote by Aoko Matsuda

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Where the Wild Ladies Are

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Aoko Matsuda

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“Para ser una sociedad con una estructura descaradamente patriarcal y una cultura que a menudo era furiosamente misógina, a los antiguos romanos les encantaba educar a las mujeres. Parece que en los siglos I antes y después de Cristo (la época mejor documentada) un número significativo de ciudadanas, incluidas algunas que no pertenecían a la élite, estaban en parte alfabetizadas. Varios escritores mencionan, sin mostrar sorpresa, que tanto niñas como niños asistían a las escuelas elementales de precio medio que enseñaban a leer, escribir, aritmética y, en ocasiones, las bases de la literatura a los hijos de las clases medias-altas en las esquinas sombreadas de los foros de las ciudades italianas. Fragmentos de los grafitis de Pompeya, garabateados en los muros de los espacios públicos de las ciudades ("Rómula se tiró aquí a Estafilo", "Serena odia a Isidoro" "Atimeto me dejó preñada") sugieren que algunas mujeres de estratos sociales más bajos podían al menos escribir nombres y unas pocas frases.”

“Ike Ryan had a theory about making a girl become part of an orgy. You make her do it with you, then with a friend while you watch, then with another girl—and by then you've cut her down to size. Once she's gone along with that scene, she can't play games—none of that "send me flowers" jazz. You've reduced her to what every woman is, once you've stripped off the fancy manners: a broad.”

“This is one of the many truths that she understood but failed to accept: that men are rewarded for destroying life and women for creating it. But that seems to be in the nature of all dualities, for how can we see the radiance of goodness when there is no shadow of evil to set it off?”

“In popular Islam as most Iranians know it, various female saints are deeply revered, and spiritual women are well respected. Their powers, however, seem to be personal, not institutional. Female leaders are seen as inspirational, but not authoritative. Male clerics are generally accepted as the definers of religion, but probably most people’s actual values and world views are more shaped by their mothers or grandmothers. ... As in popular religion almost everywhere, loving care, personal aspiration, and moral decency are usually better respected than institutional authority.”

“Another female star of the pre-modern age was “Mulla Fatemeh” Naghai, a performer of music and poetry for the Zand dynasty court in Shiraz during the 1700s. This woman gave public concerts outside the Vakil bazaar, playing the lute, harp, tambourine, and reed pipe, and she could recite over 20,000 verses of classical or contemporary poetry from memory. She was an outspoken critic of clerical hypocrisy and of bigotry in general, demanding justice for the powerless both in the court and on stage.”