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Quote by Alexia D. Miller

“His father often mentioned young and old. He'd said it was to remind himself to put things into perspective. To remember that he was starting to age. His black curly hair, which he passed on, had begun to gray Ironically, his mustache had beaten his hair and beard to it, losing all of its black sheen in favor of silver. Even his eyes seemed a little less blue as the days went on. Even though he knew his father was aging, in moments like those, as he smiled showing him a photograph of a bright light in the shape of a person, he often thought his father was younger. He could look past the slight wrinkle of his skin and the color of his veins that he couldn't see a year before.”

Quote by Alexia D. Miller

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Crystal Storm: Battleground

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Alexia D. Miller

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“Like perhaps most people whose loved ones have died, I wish that I had some guarantees about the afterlife. I wish I were absolutely certain that my father and uncle are now together in some tranquil and restful place, sharing endless walks and talks beyond what their too-few and too-short visits allowed. I wish I knew that they were offering enough comfort to one another to allow them both not to remember their distressing, even excruciating, last hours and days. I wish I could fully make sense of the fact that they’re now sharing a gravesite and a tombstone in Queens, New York,after living apart for more than thirty years.In any case, every now and then I try to imagine them on a walk through the mountains of Beauséjour. It’s dawn, a dazzling morning over the green hills. The sun is slowly rising, burning through the fog. They’re peacefully making their way down the zigzag trail that joins the villages to the rest of the world below. And in my imagining, whenever they lose track of one another, one or the other calls out in a voice that echoes throughout the hills, “Kote w ye frè m?” Brother, where are you? And the other one quickly answers, “Mwen la. Right here, brother. I’mright here.”

“He took me between his knees and shuffled some photographs before my eyes with his dextorous hands, showing me images of naked women and boys in strange positions. I leant against him and peered at those delicate human bodies with distant, unseeing eyes, as the fluid of a vague agitation that had suddenely clouded the air reached me, running through me in a shiver of anxiety, a wave of sudden understanding. In the meantime, the haze of a smile that had appeared under his soft, beautiful moustache, the germ of desire that had stretched across his temple in a pulsing vein, the tension holding his features together for a momenr, fell back into nothingness, and his face departed into absence, forgot itself, and disintegrated.”

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“There is a scene I love where a brother and sister meet after many years and little communication. They meet in an arranged café in mid-afternoon. The light is dying and the city outside rumbles softly in the complacent time before rush hour. The café is unexceptional and quiet. She comes first, sits at the far end, a table facing the door, nervous in her buttoned raincoat. The waiter is an older man. He leaves her be. The brother enters late with the look but not the words of apology. He kisses her cheek. They sit and the old man brings them teas they do not want, two pots, strong for him weak for her. It is long ago since they said each other’s names aloud, and saying them now has the extraordinary shyness of encounter I imagine on the Last Day. At first there is the full array of human awkwardness. But here is the thing: almost in an instant their old selves are immediately present. The years and the changes are nothing. They need few words. They recognise each other in each other, and even in silence the familiarity is powerfully consoling, because despite time and difference there remains that deep-river current, that kind of maybe communion that only exists within people joined in the word family. So now what washes up between them, foam-white and fortifying and quite unexpectedly, is love. I cannot remember what book it is in. But it’s in this one now.”