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Quote by EJR

“One of these days I'll wake up from this, bad dream I'm dreaming One of these days I'll pray that I'll be over, over, over you One of these days I'll realize that I'm to tired of feeling confused, But for now there's a reason that your still here in my heart.”

Quote by EJR

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EJR

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“Whenever an art form loses its fire, when it gets weakened by intellectual inbreeding and first principles fade into stale tradition, a radical fringe eventually appears to blow it up and rebuild from the rubble. Young Gun ultrarunners were like Lost Generation writers in the ’20s, Beat poets in the ’50s, and rock musicians in the ’60s: they were poor and ignored and free from all expectations and inhibitions. They were body artists, playing with the palette of human endurance.”

“It really was a whole generation who were listening to Charlie Parker, Dizzy Gillespie, Thelonious Monk, Ella Fitzgerald, Sonny Rollins, James Moody, Fats Navarro and, a little bit later on, Mongo Santamaría and Chuck Berry, and these dozen or so guys gave them a voice. They led the way. They wrote what a whole generation wanted to read. The time was right and they seized the day by writing about their lives. They travelled, they got into scrapes, they got arrested, they got wasted … and they wrote about it. Isn’t that something?”

“We’ve all got a dozen or so friends, haven’t we? And when we’re drunk we philosophise well into the night on an array of subjects ranging from what happened before the Big Bang to who would win a fight between a vampire and zombie, to what’s the most compromising position to be caught in, but we’re hardly going to be extolled in 60 or 70 years’ time as the Heat Generation or the Cheat Generation or the Street Generation, are we? The Tweet Generation, maybe, but that’s about all. So what was it about these few guys? Well, they wrote about what they did, and what they did was quite revolutionary back then. They went On the Road, and it was Jack Kerouac’s book that turned the tide.”

“The Beats and the Pranksters showed us different ways of opting out of society. They were both the personification of countercultural movements. The Beats were trying to change literature, and the Pranksters were trying to change the people and the country. Kesey, in fact, was his own cultural revolution, striving to keep the upbeat, freedom-loving spirit of America alive.”