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Quote by Swastik Nayak

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Swastik Nayak

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“One thing is certain, we all translate our own ideas of happiness into form. It happens when you buy a car. It happens when a CEO contemplates the form of a new skyscraper headquarters, or when a master architect lays out a grand scheme for social housing. It happens when planners, politicians and community boards wrestle over roads, planning regulations and monuments. It is impossible to seperate the life and design of a city from the attempt to understand happiness, to experience it, and to build it for society. The search shapes cities, and cities shape the search in return.”

Urbanism
Book:Happy City: Transforming Our Lives Through Urban Design
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“The same term, "brown lands," is sometimes used to describe those parts of the modern urban landscape that have fallen to ruin, at least in the eyes of the planners who measure the city's health based on its contribution to the wealth and growth of the human community. Empty lots, abandoned buildings, trash woods—all the parcels whose former use for industry, residence, agriculture, or other productive purposes has been abandoned, often due to changing economic or technological conditions, and have not yet been replaced by or redeveloped for some more lucrative and vibrant contemporary use. They're zones of economic entropy that become almost invisible due to their removal from the dynamic commercial flows of metropolitan life. Since the postindustrial cleanup era began in the 1970s, the more common official term used to describe such zones is "brownfields," but that has a more specific meaning, describing areas polluted with environmental toxins. Brown lands are more inclusive, encompassing all the properties where human occupation has effectively ceased for many different reasons.”

Urbanism
Book:A Natural History of Empty Lots: Field Notes from Urban Edgelands, Back Alleys, and Other Wild Places
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“Brutalist architecture was Modernism's angry underside, and was never, much as some would rather it were, a mere aesthetic style. It was a political aesthetic, an attitude, a weapon, dedicated to the precept that nothing was too good for ordinary people. Now, after decades of neglect, it's devided between 'eyesores' and 'icons'; fine for the Barbican's stockbrokers but unacceptable for the ordinary people who were always its intended clients.”

PoliticsArchitectureUrbanism
Book:A Guide to the New Ruins of Great Britain
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