Quotessence
Home / Quotes / Quote by Debasish Mridha

Quote by Debasish Mridha

Author

Debasish Mridha

Browse famous quotes and profile details for Debasish Mridha. more

You May Also Like

“Sanatan means eternal, timeless, deathless. These are our real qualities. We are never born and we never die. The body is only a shelter, we are not it. It is only like a garment which one has to change when it is too old. And we have changed the garment so many times. We differ from other people only if the form and the shape and the color and the size of the garment. The innermost reality is the same. To find it, to find that which is never born and never dies, is the real goal of all religious enquiry. One can call it god, liberation, nirvana, enlightenment. They are different names for the same phenomenon. And it is not to be searched for somewhere else, it is within you. It is you, so you have to dive deep into your own nature. Sannyas is a pilgrimage from the periphery to the center, from your own surface to your depth.”

“إن الفن - بمعنى من المعاني - خارج من الزمان وخارج عن التاريخ. قد يكون له صعود وهبوط ، ولكن ليس له تطور ولا تاريخ بالمعنى العادي للمصطلح. ليس في الفن إحتواء للمعرفة أو الخبرة كما في العلم ، فمنذ العصر الحجري حتى اليوم ، لا ترى أي زيادة في القوة التعبيرية للفن تحققت عن طريق التطور.”

“Larry King electrified interviews by lending them the credence of pure and brilliant animation required to awaken that desire in viewers to do nothing else but give their attentions to their TV sets. His guttural voice was pleasantly stentorian. With it, he chatted warmly. And chattered reasonably. And charted a course for himself that made him an icon of the screen. I'd borrow his voice for an hour and return it on Resurrection day.”

“Let me be absolutely clear: Tumnus was an idiot. He was absolutely NOT a spy for the White Witch. That dude couldn’t have spied on a blind unicorn. He was a deadbeat who spent most of his time sitting on street corners, playing his pan flute, and panhandling for change. He was on the Narnia version of welfare, and he told the White Witch about Lucy in the hopes of getting some kind of handout.”

“The problem is not that erotically charged images can’t also be seen as culturally valuable expressions (they can), but that woman’s highest cultural expression has been as a passive sex object, and not as an artist or creator of culture herself. This has limited what women have been able to achieve in a patriarchal society that cannot separate women’s value and worth from a very fixed idea of their sexuality.”