Quotessence
Home / Quotes / Quote by Samuel Richardson

Quote by Samuel Richardson

Work

Clarissa Harlowe or the History of a Young Lady - Volume 5

Browse quotes and source details for this work. more

Author

Samuel Richardson
Samuel Richardson

Samuel Richardson (August 19, 1689 - July 4, 1761) was an 18th-century English writer, widely regarded as one of the founders of the modern English novel. Born in London during the reign of James II, he initially worked in book printing and publishing before turning to writing. Richardson's major works include 'Pamela,' 'Clarissa,' and 'Sir Charles Grandison,' which are renowned for their psychological depth and vivid character development. He pioneered the use of diary and epistolary formats, allowing readers intimate access to characters' inner worlds. His novels were immensely popular in their time and significantly influenced the development of the novel form, particularly in psychological characterization and social commentary. Richardson's focus on moral instruction and feminine virtue reflected 18th-century English societal values. more

You May Also Like

“One reason television is such a perilous medium is that even infants less than two years old imitate what they see on the screen, yet what appears there is determined by what happens to appeal or to sell rather than by what behavior helped individuals in a particular past environment to survive or prosper.”

“Hoy a los niños se les enseña a cerrar los ojos y a bloquear los oídos para que nunca vean las necesidades del pueblo ni oigan sus gemidos. El que solía oír, hoy se ha convertido en sordo. El resultado de esos colegios son aquellos de quienes se dice: «¡Lástima de esta generación, porque tienen ojos y no pueden ver, y tienen oídos y no pueden oír!». Porque se les ha enseñado a ver y oír un solo mundo.”

“Something she and her husband had in common but rarely discussed was the absence of a desire for children, to fill their home with people besides themselves. It was a silent agreement, felt rather than spoken, and in her experience the soundest agreements were the ones that did not require the reassurances of language. Therefore this line of questioning was the inverse of what she usually fielded, since a childless married woman in her thirties was so often regarded, by men and women alike, as a puzzle or a pity. What's the story here? people would ask, inquests designed to make women like her suspect there was something malformed inside, blinding them to the hideous reality of their choice.”