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Quote by Tanuja Desai Hidier

“...Sabina [was] onto something about mehendi not being tantamount to temporary tattoo, and how it's been appropriated by Western capitalist culture. But the mehendi originated in Africa, and so India appropriated it from a people of color as well, according to Upma, and thus we shouldn't wear jeans or listen to Queen, then. But Freddie Mercury was Indian, Sabina pointed out, Parsi, and plus, half of these things are made in India anyways if you check the tags. Somehow eventually arriving at: Whatever it was, why did a white girl have to wear it before it was regarded as cool?”

Quote by Tanuja Desai Hidier

Book:Born Confused
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Born Confused

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Tanuja Desai Hidier

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“What would our debates about fiction look like, I sometimes wonder, if our preferred verbal container for the phenomenon of writing about others was not 'cultural appropriation' but rather 'interpersonal voyeurism' or 'profound-other-fascination' or even 'cross-epidermal reanimation'? Our discussions would still be vibrant, perhaps even still furious—but I’m certain they would not be the same. Aren’t we a little too passive in the face of inherited concepts? We allow them to think for us, and to stand as place markers when we can’t be bothered to think. What she said. But surely the task of a writer is to think for herself! And immediately, within that bumptious exclamation mark, an internal voice notes the telltale whiff of baby boomer triumphalism, of Generation X moral irresponsibility …. I do believe a writer’s task is to think for herself, although this task, to me, signifies not a fixed state but a continual process: thinking things afresh, each time, in each new situation. This requires not a little mental flexibility. No piety of the culture—whether it be 'I think therefore I am,' 'To be or not to be,' 'You do you,' or 'I contain multitudes'—should or ever can be entirely fixed in place or protected from the currents of history. There is always the potential for radical change.”

FictionNovelsCultural AppropriationFascinated To Presume
Author:Zadie Smith
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“Reading seems to be easier to defend than writing. Writing is a far larger act of presumption. Sensing this, we seek to shore up the act of writing with false defenses, like the dubious idea that one could ever be absolutely “correct” when it comes to representing fictional human behavior. I understand the desire—I have it myself—but what I don’t get is how anyone can possibly hope to achieve it. What does it mean, after all, to say “A Bengali woman would never say that!” or “A gay man would never feel that!” or “A black woman would never do that!”? How can such things possibly be claimed absolutely, unless we already have some form of fixed caricature in our minds? (It is to be noted that the argument “A white man would never say that!” is rarely heard and is almost structurally unimaginable. Why? Because to be such a self is to be afforded all possible human potentialities, not only a circumscribed few.)”

FictionNovelsCultural AppropriationFascinated To Presume
Author:Zadie Smith
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“But on one occasion he was lost for words. 'If it's all as bad as you describe,' asked an inconspicuous young man at the end of one of the lectures, 'then why did you choose to become a Gypsy?' His image of Gypsies had marked them as a mere lifestyle, a fashion, a brand.”

CultureEducationRacismSocial JusticeGypsyCultural AppropriationStereotypingRomaniRomani Gypsies
Book:I Met Lucky People: The Story of the Romani Gypsies
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“Music is like spoken language, inextricable from its culture. If you don't learn a language early in life, its words will forever come out wrinkled and accented by another world, no matter how well you memorize or love the vocabulary, grammar, and cadences of a new language. This is why foreign "belly dancers" have always bothered me. The use of our music as a prop to wiggle and shimmy and jump around offends me. Eastern music is the soundtrack of me..”

CultureCultural Appropriation
Book:Against the Loveless World
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“As a practitioner of Witchcraft, my drive is to learn as much magic as I can from whatever sources resonate with me. In those instances in which a practice, symbol, or deity speaks to me and demands my devotion, I make a commitment to honor the cultures from which they originated by pledging to study their histories, to listen to the voices of those who identify as part of those cultures, and, where possible, to support the living people who belong to that cultural group.”

WitchcraftCultural Appropriation
Book:Betwixt & Between: Exploring the Faery Tradition of Witchcraft
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