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Quote by Mel Ingrid

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Bus 59 and a Half

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Mel Ingrid

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“here's the thing and I need you to take in every word when someone truly loves you and I'm not talking about that watered-down shit that you got from every ex who caused you nothing but a great deal of emotional trauma when someone really love you and wants to be a part of your life they let go of their past to better accommodate you in their future they don't hold on to past likes, lusts, or loves you'll never have to compete with anyone they've had history with because those relations no longer exist”

LovePastHistoryFutureEmotions
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“Most meditative practices focus on the mind and becoming aware of our thoughts. By bringing this same awareness to our emotions - and then going further by consciously engaging them and uncovering the wisdom they hold - we can gain an even greater level of self-mastery. Emotional mastery comes not just from detachment, but from also allowing our emotions to fully flow, and receiving all that they have to offer us.”

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Author:Jessica Moore
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“Happiness" alone does not guarantee mental health and well-being. A tempering dose of disappointment- an occasional taste of frustration and learning that you do recover from it- goes a long way toward producing long-term contentment. Indeed the ability to ride out the bad times without feeling doomed is essential to survival. When happiness is not taken for granted, and when one is acquainted with its opposite it is more easily savored and has more lasting effects.”

HappinessDepressionEmotionsMental HealthMoodWell BeingContentmentHappiness AdviceEmotional RegulationDialectical Behavioral Therapy
Book:Women and Their Fathers: The Sexual and Romantic Impact of the First Man in Your Life
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“Certain words, certain expressions. Things like ‘I love you’ and ‘I hate you.’ They’re big traps for actors. They can tempt you away from the connection you’ve developed with your partner and lead you into swamplands of clichéd performing. ‘Love’ and ‘hate’ are powerful words, and for some reason, we feel like we must fulfill them—and other words like them—whenever we say them. But we don’t have to.” Bill turns to Adam. “Actors hit that line—‘you know I’m absolutely crazy about you. Don’t you?’—and go all kablooey. Your head’s saying, ‘How can I not say a line like that without letting love swim into the duck pond? But inside you’re saying, ‘To hell will love! This girl’s really pissed me off, breaking off an important date like that.’ Follow your true inner response. It will never lead you astray. You’ll be bubbling up with impatience and irritation and you’ll say a line like that and it’ll have new meaning. It’ll have your meaning. Remember: Bad actors consciously adjust their inner responses to what they think the lines of the text require. Good actors adjust the text to the inner emotional line created by their sensitized responses to the other actor.” Adam says, “I get it. I was trying to act the words.” Bill nods. “You were manipulating yourself, cutting off our real response in order to live up to what you thought the text demanded of you. But any line can mean anything, and come out of you in any way.”

RelationshipsActingEmotionsCreative ProcessActorScript WritingScreenplayLove Vs Hate
Book:The Actor's Art and Craft: William Esper Teaches the Meisner Technique
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