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Quote by Craig D. Lounsbrough

“If my decisions constantly heed the voice of the world, I can be completely assured that I’m going to end up in a ‘world of hurt.’ If my decisions heed the word of God, I can be completely assured that this ‘world of hurt’ won't be anywhere near my solar system.”

Quote by Craig D. Lounsbrough

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Craig D. Lounsbrough

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“I’m going to tell you something once and then whether you die is strictly up to you," Westley said, lying pleasantly on the bed. "What I’m going to tell you is this: drop your sword, and if you do, then I will leave with this baggage here"—he glanced at Buttercup—"and you will be tied up but not fatally, and will be free to go about your business. And if you choose to fight, well, then, we will not both leave alive." You are only alive now because you said 'to the pain.' I want that phrase explained." My pleasure. To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—" And then my right eye, and then my ears, and shall we get on with it?" the Prince said. Wrong!" Westley’s voice rang across the room. "Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears. That is what 'to the pain' means. It means that I leave you in anguish, in humiliation, in freakish misery until you can stand it no more; so there you have it, pig, there you know, you miserable vomitous mass, and I say this now, and live or die, it’s up to you: Drop your sword!" The sword crashed to the floor.”

HumorRomanceFantasy
Book:The Princess Bride
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“Samuel," Amelie said, and her voice was low and quiet and warm. She bent closer to him. "Samuel. Come back to me." His eyes opened, and they were all pupil. Scary owl eyes. Claire bit her lip and thought again about running, but Hans and Gretchen were at her back and she knew she didn't have a chance, anyway. Sam blinked, and his pupils began to shrink slowly to a more normal size. His lips moved, but no sound came out. "Breathe in," Amelie said, in that same quiet, warm tone. "I'm here, Samuel. I won't leave you." She stroked fingers gently over his forehead, and he blinked again and slowly focused on her. It was like there was nobody else in all the world, just the two of them. Amelie was wrong, Claire thought. It isn't just that Sam loves her. She loves him just as much.”

LoveHurtIntimateClaire DanversAmelieSam GlassSamuel Glass
Book:Midnight Alley
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“How good it is when you have roast meat or suchlike foods before you, to impress on your mind that this is the dead body of a fish, this is the dead body of a bird or pig; and again, that the Falernian wine is the mere juice of grapes, and your purple edged robe simply the hair of a sheep soaked in shell-fish blood! And in sexual intercourse that it is no more than the friction of a membrane and a spurt of mucus ejected. How good these perceptions are at getting to the heart of the real thing and penetrating through it, so you can see it for what it is! This should be your practice throughout all your life: when things have such a plausible appearance, show them naked, see their shoddiness, strip away their own boastful account of themselves. Vanity is the greatest seducer of reason: when you are most convinced that your work is important, that is when you are most under its spell.”

RealityVanityMeat
Author:Marcus Aurelius
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