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Quote by Germany Kent

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Germany Kent
Germany Kent

Germany Kent, born on July 29, 1975, is an accomplished businesswoman with over two decades of experience in the business sector. Renowned for her sharp business acumen and exceptional leadership skills, Kent has held senior management positions across various industries. Her career is marked by innovation and breakthroughs. more

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“The human need to be visible is countered by the need to be invisible to avoid further abuse, and the need for intimacy and the dread of abuse, all pose insoluble dichotomies which promote further withdrawal from human contact, which reinforces the sense of dehumanisation.”

“The practice of explicitly describing others as less than humans is nowadays often frowned upon and is widely condemned. So propagandists who cultivate dehumanizing attitudes most often do this indirectly. Rather than overtly referring to a group of people as animals or monsters, they describe them in ways that invoke this image in the minds of their listeners. There are certain themes that reappear over and over in this dehumanizing discourse. The common one is criminality. The dehumanized group is made to appear inherently threatening and their criminality is represented as crudely animalistic typically involving rape and murder. Another common theme is parasitism. The dehumanized group conspires to exploit the majority sucking the blood out of decent, hard-working people and claiming privileges that they haven't earned. Images of filth and disease are also very frequent. Dehumanised groups are vectors of infection, they are dirty and contaminating. They are often thought of as invaders, outsiders who are taking us over. They are reproducing at an alarming rate and they will soon outnumber us unless we do something about it.”

“Першою афроамериканкою, якій присудили премію Американської кіноакадемії, стала Гетті Макденієл. Вона отримала цю високу винагороду за роль Маммі (дбайливої, огрядної й асексуальної протилежності Скарлетт ОʼХара, яка була ідеалом жінки) у фільмі 1939 року «Віднесені вітром». Маммі, більш віддана білій родині, ніж власній, була готова вступити в бій із чорношкірими солдатами, щоб захистити своїх білих поневолювачів. Цей образ став зручною підпорою для зображення рабства в художніх фільмах, однак це була вигадка кастової системи, що суперечила історичним фактам. В епоху рабства більшість чорношкірих жінок були худорлявими, навіть виснаженими через скупе харчування, яким їх забезпечували. До того ж мало хто з цих жінок працював у будинках, оскільки їх вважали ціннішими на полі.”