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Quote by A.M. Rose

“A shovel is your idea of romance?” “No, a shovel is a symbol,” Fire said. “Of your imminent demise at the hands of an annoyed mate?” Rio asked, and Fire had the audacity to laugh at him. “Of the work I’m going to put in to make sure you’re getting what you dreamed of,” Fire said, and Rio sputtered.”

Quote by A.M. Rose

Book:Fire
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Fire

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A.M. Rose

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“It’s important to remember that you and the work are now, right here — and there is, in fact, no promise of a future. Dealing in the now as opposed to some possible future where you have to defend the work on practical or economic grounds becomes another way to dodge what matters most — the work now. Futurity is weaponized against one’s own talents, against the only thing that makes the talent worth speaking of — what is before you now and not in some projected Muad’dib future.”

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“While Europe appears to maintain more reticence embracing it, in America there is no question that work can only be discussed as a secular sacrament, with all the indignity one might expect from such a degrading genus. The Protestant qualifier to Protestant work ethic long ago dissipated, leaving the peculiarly American artifact of viewing one’s wages as a moral reward, one’s continuous employment as a state of grace and one’s retirement as an earthly paradise merited by one’s good works.”

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Book:The Invention of Work
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“Correct," she said, "but I don't think he even realizes it. You probably encounter people like him all the time. High-functioning sleepwalkers, essentially. What was it in this statement that made Clark want to weep? He was nodding, taking down as much as he could. "Do you think he'd describe himself as unhappy in his work?" "No," Dahlia said, "because I think people like him think work is supposed to be drudgery punctuated by very occasional moments of happiness, but when I say happiness, I mostly mean distraction. You know what I mean?" "No, please elaborate.» "Okay, say you go into the break room," she said, "and a couple people you like are there, say someone's telling a funny story, you laugh a little, you feel included, everyone's so funny, you go back to your desk with a sort of, I don't know, I guess afterglow would be the word? You go back to your desk with an afterglow, but then by four or five o'clock the day's just turned into yet another day, and you go on like that, looking forward to five o'clock and then the weekend and then your two or three annual weeks of paid vacation time, day in day out, and that's what happens to your life." "Right," Clark said. He was filled in that moment with an inexpressible longing.”

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Book:Station Eleven
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