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Quote by Peter Gorges

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Synthesizer Programming: Die Kunst des Sound-Designs für jeden erlernbar

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Peter Gorges

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“What’s there to think about? I say we make a choice here and now on this crusty shell-patterned couch. Will we live the lives they want us to live? Or will we blaze our own trails and set sail? Let’s at least give it a shot before we can only wish we had. We can always come back and get a real job and start again.”

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“Through the passage of time there was one format that could rival the sound quality of any other, the analog reel-to-reel tape recorder, and this is her story. The reel-to-reel recorder was critical to the widespread surge in global music consumption in the 1950's and beyond, even sound engineers of today will tell you that the reel-to-reel format is extremely high in fidelity, and with the correct tape, the correct usage and right machine, wonders can still be recorded in the recording studio using magnetic reel-to-reel tape recorders”

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“Music, too, offers a photograph of the world; characteristically, however, it does this not by copying a few figured sounds but rather by lifting all of the mixed images of extravagance, gushing overflow, and flaming fullness offered by life in its entirety from their immediate objects and weaving them into a carpet—a carpet with its own all-encompassing intensity, quality, and therefore reality.”

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“This is something new from England, an opera called the 'Bohemian Girl.' I'll play the air through once and then you sing it. Oh, yes, you can; it's very easy." So Miranda stood beside him and sang, "I Dreamt that I Dwelt in Marble Halls." And when her first self-consciousness wore off she thrilled to the singular appropriateness of the words. Had he guessed her dreams and was that why he had picked this music? But the song was about love as well, and her voice wavered as she thought, Love there can never be for me in these marble halls- this is then not my dream, how could it be?”

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