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Quote by Aaron Carnes

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In Defense of Ska

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Aaron Carnes

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“Music, too, offers a photograph of the world; characteristically, however, it does this not by copying a few figured sounds but rather by lifting all of the mixed images of extravagance, gushing overflow, and flaming fullness offered by life in its entirety from their immediate objects and weaving them into a carpet—a carpet with its own all-encompassing intensity, quality, and therefore reality.”

“This is something new from England, an opera called the 'Bohemian Girl.' I'll play the air through once and then you sing it. Oh, yes, you can; it's very easy." So Miranda stood beside him and sang, "I Dreamt that I Dwelt in Marble Halls." And when her first self-consciousness wore off she thrilled to the singular appropriateness of the words. Had he guessed her dreams and was that why he had picked this music? But the song was about love as well, and her voice wavered as she thought, Love there can never be for me in these marble halls- this is then not my dream, how could it be?”

“Drew is the opening song on my favorite album. He’s the song that everyone loves, the song that draws me in and makes me want to listen to the whole album without stopping. He’s the catchy song with the great hook, fancy guitar solo, and soaring vocals. But Shane … Shane’s the hidden track. He’s the song I don’t listen to until I’ve devoured the whole album. He’s that quiet song with the unbelievable melody. The song that makes me understand myself a bit better. Once I discover a truly special hidden track, I never get sick of it.”