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Loot: The Battle over the Stolen Treasures of the Ancient World

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Sharon Waxman

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“From seven in the morning until half past one the next morning -- that's quite a record time for a visitor to stay at a museum," [Henry Ford] continued. "It proves that you may be even more interested in mechanics than I am. And you almost have to be a fanatic to compete with me. That's certainly something!" he exclaimed, grinning broad approval of our common bond.”

MuseumsMachineryMechanicsDiego RiveraHenry FordThe Henry FordHenry Ford MuseumGreenfield Village
Book:My Art, My Life
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“As once-colonized nations seek to stand on their own, the countries once denuded of their past seek to assert their independent identities through the objects that tie them to it. The demand for restitution is a way to reclaim history, to assert a moral imperative over those who were once overlords. Those countries still in the shadow of more powerful empires seek to claim the symbols of antiquity and colonialism to burnish their own national mythmaking.”

ArtNationalismMuseumsColonialism
Book:Loot: The Battle over the Stolen Treasures of the Ancient World
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“Museums, whatever their content, are logical design arenas. Their renewed vitality reflects a spreading curatorial perception that a museum is a designed situation more than it is a warehouse open to the public. This in turn has made it possible for a great many people, including children, to perceive museum-going as something to do, rather than something that is done to you.”

DesignMuseumsExhibitsExperiences
Book:By Design: Why There Are No Locks on the Bathroom Doors in the Hotel Louis XIV and Other Object Lessons
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“The mountains you climb will require the help of the Most High. When things get tough, do not just sit and cry. There is a God you can trust. He can grant you strength for every climb.”

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Book:Coming to Grips with the Mountains and Valleys of This World
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“If I walked down by different streets to the Jardin du Luxembourg in the afternoon I could walk through the gardens and then go to the Musée du Luxembourg where the great paintings were that have now mostly been transferred to the Louvre and the Jeu de Paume. I went there nearly every day for the Cézannes and to see the Manets and the Monets and the other Impressionists that I had first come to know about in the Art Institute at Chicago. I was learning something from the painting of Cézanne that made writing simple true sentences far from enough to make the stories have the dimensions that I was trying to put in them. I was learning very much from him but I was not articulate enough to explain it to anyone. Besides it was a secret. But if the light was gone in the Luxembourg I would walk up through the gardens and stop in at the studio apartment where Gertrude Stein lived at 27 rue de Fleurus.”

FranceParisMuseumsErnest HemingwayCezanne
Book:A Moveable Feast: The Restored Edition
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