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The Dream of Perpetual Motion

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Dexter Palmer

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“The device,' Philip said. 'What are you going to do with it?' 'I know how this sounds. But you'll have to trust us. We'll take possession of it. We're going to dismantle it; when we do so, the wormhole will close, making this the final version of history we live through. Then we're going to box up the device and forget about it. Lose it somewhere; burn the records. It'll end up in a warehouse right next to the Ark of Covenant.”

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“People from the military have been inside that thing. If I went back in time, I wouldn't necessarily be thinking geopolitically, but maybe they would. That has to be half the reason why they're funding us in the first place. Maybe there were earlier versions of history where Republicans didn't vote to pulp all those Andrew Jackson twenties and replace them with bills that had portraits of Reagan. Maybe in the first version of post-Point Zero history, insurgents in North and South Dakota didn't attempt to secede; maybe we weren't fighting enemies both here and in the Middle East. Or maybe there was a full-on civil war going on in the United States and the current state of affairs is an improvement. We don't know. We can't know. And we can't know the extent to which any of us, sitting here at this table, is responsible.”

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“Soon our culture's oldest dreams will be made real. Even the thought of sending a kind of flying craft to the moon is no longer nothing more than a child's fantasy. At this moment in the cities below us, the first mechanical men are being constructed that will have the capability to pilot the ship on its maiden voyage. But no one has asked if this dream we've had for so long will lose its value once it's realized. What will happen when those mechanical men step out of their ship and onto the surface of this moon, which has served humanity for thousands of years as our principal icon of love and madness? When they touch their hands to the ground and perform their relentless analyses and find no measurable miracles, but a dead gray world of rocks and dust? When they discover that it was the strength of millions of boyhood daydreams that kept the moon aloft, and that without them that murdered world will fall, spiraling slowly down and crashing into the open sea?”

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“And this,' Astrid says, gesturing at a wiry gentleman wearing eyeglasses and a houndstooth suit in need of pressing, standing a little distance away from the rest of the group, looking slightly uncomfortable, 'is Dexter Palmer, and he's a—what?' 'I,' says Dexter Palmer. 'Um.' 'He's a novelist,' Astrid brays, and Harold looks at Dexter, at his right arm rubbing his threadbare left elbow. Harold sees the oaken trunk in the corner of Dexter's filthy downtown loft with an enormous padlock on it, sees the tens of thousands of pages of handwritten manuscript that fill it. He sees the stub of the tallow candle on Dexter's rickety wooden desk, purchased for a dollar-fifty at a rummage sale. He sees the short leg of the desk propped up with a seven-hundred page study of phrenology, printed during the age of miracles. He sees Dexter's eyes going bad by candlelight, a whole diopter lost with each late night. 'Zounds, I am working on my masterpiece,' Dexter Palmer yells hoarsely, disturbing the neighbors. He slings a cup half-full of tepid chamomile tea at the wall, where it shatters. 'Dexter's writing a novel,' Astrid says brightly. After a few minutes of introductory cross-talk, the group of five splits into separate conversations: Harold talks with his sister and Charmaine, while Marlon ends up with Dexter. To Harold, Marlon looks cornered—Harold can't hear what Dexter's saying, but whatever he's talking about, he's clearly going on about it at length and in fine detail. Maybe Marlon is getting to hear all about the novel. Every once in a while Marlon will look at Harold and theatrically roll his eyes and sigh, but Dexter, who's frantically gesticulating, wrapped up in whatever he's chattering about, doesn't notice.”

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