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Quote by Emma Richler

“He wonders aloud at the origins of valentining. 'You're right,' Rachel says. 'It is a verb. Can be. And birds valentine each other, make mating calls. And usually mate in mid-February. You see?' 'But why Valentine?' asks Zach. 'Why valentining?' 'There were many Saint Valentines,' offers Tasha. 'I don't know what the link is between their martyrdom and love letters.' Zach is not very interested in the old tradition or the archaic verb. He is not bothered by the mating calls of passerines or the saints named Valentine and their associated symbols—he is merely fishing. Does Rachel think the tradition silly? If he were to send her a valentine, how strange would that be?”

Quote by Emma Richler

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Be My Wolff

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Emma Richler

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“Rachel thinks, What long fingers Mama has, like wands in fairy tales. All the better to conduct with my dear! Ekaterina Wolff has conduits for fingers. Rachel muses on the conducting of music and the conducting of electricity, and of the yellow sign depicting a man falling, struck by a current. Danger of death! What fells the man? A powerful conduction of electricity? Of thought? Of sound? Which? Perhaps the man is felled by music. In the sign, he falls backwards.”

“A fighter, muses Rachel, is a fighter through and through, consistently irregular, a fighting man on every scale. Fractal, fractious, with a rough complexity! Nothing she can do. A fractal, Papa once told her, is a way of seeing infinity. In Zachariah, she sees infinity. Mandelbrot famously wrote a paper called 'How Long Is the Coast of Britain?,' the answer to which, of course, is that it depends how you look at it. The closer one looks, the larger it is. And more and more intricate, on an infinite scale. There is a template for all things.”