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Quote by Camille Paglia

“Everything is melting in nature. We think we see objects, but our eyes are slow and partial. Nature is blooming and withering in long puffy respirations, rising and falling in oceanic wave-motion. A mind that opened itself fully to nature without sentimental preconception would be glutted by nature’s coarse materialism, its relentless superfluity. An apple tree laden with fruit: how peaceful, how picturesque. But remove the rosy filter of humanism from our gaze and look again. See nature spuming and frothing, its mad spermatic bubbles endlessly spilling out and smashing in that inhuman round of waste, rot, and carnage. From the jammed glassy cells of sea roe to the feathery spores poured into the air from bursting green pods, nature is a festering hornet’s nest of aggression and overkill. This is the chthonian black magic with which we are infected as sexual beings; this is the daemonic identity that Christianity so inadequately defines as original sin and thinks it can cleanse us of. Procreative woman is the most troublesome obstacle to Christianity’s claim to catholicity, testified by its wishful doctrines of Immaculate Conception and Virgin Birth. The procreativeness of chthonian nature is an obstacle to all of western metaphysics and to each man in his quest for identity against his mother. Nature is the seething excess of being.”

Quote by Camille Paglia

Work

Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson

This comprehensive study delves into the depiction of sexuality in art and literature, analyzing the works of artists and writers from ancient Egypt to the 19th century. The book examines the complex interplay between art, culture, and human sexuality, offering insights into the evolution of artistic expression and its relationship with societal norms. more

Author

Camille Paglia
Camille Paglia

Camille Paglia is an American academic, cultural critic, and author known for her controversial views on a variety of cultural and social issues. Born on April 2, 1947, she has taught at several universities and has written numerous books and articles on topics such as art, literature, and gender studies. more

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“fuck she pulled her dress off over her head and I saw the panties indented somewhat into the crotch. it's only human. now we've got to do it. I've got to do it after all that bluff. it's like a party-- two trapped idiots. under the sheets after I have snapped off the light her panties are still on. she expects an opening performance. I can't blame her. but wonder why she's here with me? where are the other guys? how can you be lucky? having someone the others have abandoned? we didn't have to do it yet we had to do it. it was something like establishing new credibility with the income tax man. I get the panties off. I decide not to tongue her. even then I'm thinking about after it's over. we'll sleep together tonight trying to fit ourselves inside the wallpaper. I try, fail, notice the hair on her head mostly notice the hair on her head and a glimpse of nostrils piglike I try it again.”

“Sometimes, when he was not near me, I thought, I will never let him 'Touch' me again. Then, when he 'Touched' me, I thought, it doesn't matter, it is only the body, it will soon be over. When it was over, I lay in the dark and listened to his breathing and dreamed of the 'Touch' of hands, of Giovanni's hands, or anybody's hands, hands which would have the power to crush me and make me whole again.”