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Quote by Shannon Thrace

“I poured too much of myself into you. I lost too much. Even my life before you feels suspicious. My relatives are old and I have no heirs. I counted on you to take my memories, to be their witness, to give them a home. You were family. You were an extension of me. My past seems like an illusion now, the mad fancy of someone who no longer exists.”

Quote by Shannon Thrace

Book:18 Months
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18 Months

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Shannon Thrace

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“Simone de Beauvoir gave us the insight that woman has been fabricated by man as “the other, ” the relative being—relative to himself as the norm. So it should not be surprising that men, who have literally and figuratively, constructed women for centuries, are now “perfecting” the man-made women out of their own flesh.”

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Book:The Transsexual Empire: The Making of the She-Male
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“However, the other side of fetishization is worship or reverence for the fetish object. In primitive religions, fetish objects were worshiped because people were afraid of the power they were seen to contain. Therefore primitive peoples sought to control the power of the fetish by worshiping it and in so doing they confined it to its “rightful place. ” There was a recognition of a power that people felt they lacked and a constant quest in ceremonies and cults to invest themselves with the power of the fetish object. Thus to worship was also to control. In this way, objectification and worship are two sides of the same coin.”

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Book:The Transsexual Empire: The Making of the She-Male
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“[...] The deceptiveness of men without “members, ” that is, castrated men or eunuchs, has historical precedent. There is a long tradition of eunuchs who were used by rulers, heads of state, and magistrates as keepers o f women. Eunuchs were supervisors of the harem in Islam and wardens of women’s apartments in many royal households. In fact, the word eunuch, from the Greek eunouchos, literally means “keeper of the bed. ” Eunuchs were men that other more powerful men used to keep their women in place. By fulfilling this role, eunuchs also succeeded in winning the confidence of the ruler and securing important and influential positions.”

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Book:The Transsexual Empire: The Making of the She-Male
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“Great, she didn't lie to me. "Mind if I tag along with you? I would love to have some company. Please don't say no. I don't know if I can take it if you turn me down, beloved," he spoke inaudibly. "Remember the last time we were at an art gallery together?" he asked. "Sure I do," she remarked, walking slowly. Wish I hadn't gone anywhere with you, Creepville!”

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“We might say that the body is part of the creative ground of existence, but we are not bound by that structure in the full creative sense. Our spirit is bound to our bodies, as its creative ground, but surpasses it through freedom and choice. The body is present in all our choices, but as total persons, we have the freedom to be other than what culturally accompanies a male or female body.”

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“Professor Hex looked on the city of Amarillo and raised her arms. “In the sixth month the angel Gabriel was sent from God to a city of Galilee named Nazareth, to a virgin betrothed to a man whose name was Joseph, of the house of David. And the virgin's name was Mary. And he came to her and said, “Greetings, O favored one, the Lord is with you!” But she was greatly troubled at the saying, and tried to discern what sort of greeting this might be. And the angel said to her, “Do not be afraid, Mary, for you have found favor with God.” Professor Hex laughed. “Oh my dear, dear men, you are the new Mary.” As she recited these words, the city lights illuminated her face, revealing a disturbing grin that hinted at mischief and maybe even malevolence. A sinister laugh came from the depths of her pain. “You've been impregnated by the Holy Spirit!” Her words took on a mocking tone, the resonance of her laughter cutting through the night. “You will now know what it is like to be forced to carry a child by God!”

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“Tómate en serio, mujer. Recorre tus caminos interiores, tus sendas prohibidas, rasga tus vestiduras. abre tus heridas, exhibe tus miserias, ostenta tus arrugas, tus carnes flácidas, las redondeces conspicuas. Pierde todas las formas, inventa la tuya. La forma auténtica es tu libertad. Alcanza la rebelión de la feminista, como decimos las maestras del arte de envejecer: la edad no es un secreto vergonzoso. Piensa en la alternativa: la muerte”

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Author:Graciela Hierro Pérezcastro
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