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Quote by Mitta Xinindlu

“The major problem in Africa is neither politics nor Apartheid. It is the deep hatred of a Black Person by another Black Person. For example: should have Blacks loved each other, and supported each other, no-one would break their trust and support for one another. No-one would be a 'sellout'. No-one would be turning against his brother. They would uplift and promote each another. They would protect their lineage, their heritage, and so on. In fact, those tribal fights wouldn't even exist. The xenophobic attacks wouldn't exist. But a Black Man hates HIMSELF.”

Quote by Mitta Xinindlu

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Mitta Xinindlu

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“Being Self Made is a lie if it's crafted as a story sold to people. It is an illusion for those who sincerely believe they are self-made. No one is self-made. You didn't choose the family you were born in, the economic class you were born in, the country you were born in, the era you were born in, the intelligence level you have, the special talent you are born with, the early education you got, the mentoring you received, your level of ambition, your macro-economic environment, being at the right place at the right time or generally having unexpected things turn in your favor. I will argue that even if you say you came from an extremely poor background and have worked extremely hard to achieve your success and you deserve 100 percent credit, even that is a partially false statement, as you have been lucky to see your hard work pay off (in some cases, exponentially)”

Self MadeReality Check Quotes
Book:UnLearn: A Practical Guide to Business and Life
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“In the back of my closet, I saw a pink wrap dress that was hopelessly Southern. Pale pink, with little flutter sleeves all in a Swiss-dot fabric that you could see through if you held it up to the light. I would need nude undergarments, which I was sure I had. My mom always told me never to wear wild undies, you never knew who'd see them! What if I got in a car wreck? I pulled my hair up and allowed a few red curls to fall out of a messy bun at the nape of my neck. I slipped the dress on and gave my lips a quick swipe of gloss. I chose small gold hoop earrings that had belonged to Gran at one time and stepped into a pair of gold flip-flops. I looked at myself in the mirror and reminded myself I was going to a farm. Jim walked in. "Ready for the big... Oh, my God, Magnolia!" "What? Too much?" I said, grimacing. "Good God, no! You look absolutely perfect! You look like a mouthwatering pink confection! A true Southern Magnolia!”

DressPinkSouthern BelleMagnoliaSee Through
Book:My Magnolia Summer
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“Best way apes know to make sure nobody questions their words is to call them divine intervention, rather than human creation. But if you could transcend the primitive instinct of connecting divinity with the supernatural, you would plainly see, human creation is divine creation - human intervention is the most divine it gets. That is why, my creations are divine creation, but that divinity is firmly rooted in my own consciousness - not in some imaginary heaven, but in my own organic and very much mortal human brain.”

SpiritualityTheologyHolinessDivinityHumanistFundamentalismAgnosticScripturesDivine InterventionNeurotheology
Book:The Divine Refugee
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“Would you say that you're a good man, Harry?" He had to think about that. "No," he finally said. "In the fairy tale you mentioned last night, I would probably be the villain. But it's possible the villain would treat you far better than the prince would have." Poppy wondered what was wrong with her, that she should be amused rather than frightened by his confession. "Harry. You're not supposed to court a girl by telling her you're the villain." He gave her an innocent glance that didn't deceive her in the least. "I'm trying to be honest." "Perhaps. But you're also making certain that whatever anyone says about you, you've already admitted it. Now you've made all criticism of you ineffectual." Harry blinked as if she'd surprised him. "You think I'm that manipulative?" She nodded. Harry seemed stunned that she could see through him so easily. Instead of being annoyed, however, he stared at her with stark longing. "Poppy, I have to have you.”

ManipulativePoppy And HarryHarry RutledgePoppy HathawaySee Through
Book:Tempt Me at Twilight
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“Evelinde's thoughts died as she saw that her still-damp chemise was transparent. She could clearly make out several dark patches through the clinging cloth. One was the large mottling bruise on her hip, the other another even bigger bruise on her ribs, but the others were not bruises at all. Her darker nipples were clearly displayed in the damp shift, and the dark gold at the apex of her thighs stood out against her pale skin. A gasp of horror caught in her throat, but before Evelinde could pull away and cover herself, he'd taken hold of her arm. "And here." She peered distractedly down at the arm he'd turned slightly. She had seen all these bruises earlier, the result of her tumble in the river, not from falling from her horse as he supposed. She was more concerned with other issues at the moment, like her near nudity. When he leaned a little closer to see her upper arm better, Evelinde sucked in a startled gulp of air. His breath was blowing hot and sweet on her chilled nipple through the damp chemise. The effect was almost shocking. Evelinde stood completely still, holding her breath as he examined her injury. He took an exceptionally long time doing so, much longer than he had with the other bruises. And the whole time he did, he was inhaling and exhaling, sending out warm puffs of air over the trembling nipple. Each time he did, an odd little tingle went through Evelinde. Then he suddenly raised a hand to run a finger lightly around the discoloration on her arm, and his wrist brushed against her nipple through the damp cloth. Evelinde was sure it was accidental, and he did not even notice, but the effect it had on her was rather startling. She closed her eyes as an odd pleasure rolled through her body, finding herself suddenly torn between putting some space between them and staying put to enjoy more of the astonishing effect he had on her. When he finally released her arm and unclasped her legs, she opened her eyes to find him standing up. Before Evelinde could regain enough of her senses to go find her gown and draw it on to cover herself, he'd clasped her head in one hand and tilted her face up to his as she brushed his finger lightly in a circle along her left jaw. "Ye've another here," he growled. "Oh," Evelinde breathed, as his finger apparently followed the edge of the bruise past the corner of her lips. That, too, was from her fall in the river, but she couldn't seem to untangle her tongue enough to say so as his finger trailed over her skin. "Ye've beautiful eyes, lass," he murmured, peering into those eyes now rather than at the injury he was tracing. "So do you," Evelinde whispered before she could think better of it. A smile tugged at the corner of his lips right before his mouth covered hers. Evelinde stiffened at the unexpected caress. His lips were soft yet firm, but kissing her was wholly inappropriate. She was about to say so when something prodded at her lips. Evelinde tried to pull back, but his hand was at the back of her head, preventing her retreat. Suddenly she found her mouth invaded by his tongue. Her first instinct was to push him away, but then his tongue rasped along hers, and Evelinde stilled again. The caress was surprisingly pleasant. She found herself holding onto his arms rather than pushing him away, and her eyes closed as a little sigh slipped from her mouth to his.”

First KissBruisesHighlander RomanceSee ThroughEvelinde And CullenHalf NakedTended
Book:Devil of the Highlands
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“We observe in this torrent of incoherence a lack of regularity in the subject himself; the "I" has fallen to pieces after struggling for three centuries against the great objective institutions and dissolving them with its subjectivism and rejecting in them any law that was sacred and binding on itself. There is no reason to think that Decadence - obviously an historical phenomenon of great inevitability and significance — has confined itself to poetry; we should expect in the more or less distant future the Decadence of philosophy and finally the Decadence of morality, politics, and forms of communal life. To a certain extent Nietzsche can already be considered the Decadent of human thought — at least to the extent that Maupassant, in certain "final touches" of his art, can be considered the Decadent of human emotion. Like Maupassant, Nietzsche ended in madness; and in Nietzsche, just as in Maupassant, the cult of the "I" loses all restraining limits: the world, history, and the human being with his toils and legitimate demands have disappeared equally from the works of both; both were "mystic males" to a considerable degree, only one of them preferred to "flutter " above "quivering orchids," whereas the other liked to sit inside a cave or upon a mountaintop and proclaim a new religion to mankind in his capacity as the reborn "Zarathustra." The religion of the "superman," he explained. But all of them, including Maupassant, were already "supermen" in that they had absolutely no need of mankind and mankind had absolutely no need of them. On this new type of nisus formativus of human culture, so to speak, we should expect to see great oddities, great hideousness, and perhaps great calamities and dangers. ("On Symbolists And Decadents")”

DecadenceNietzscheSubjectivismDecadentsSymbolistMaupassantSymbolists
Book:Silver Age of Russian Culture
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