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Quote by Luis J. Rodríguez

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The Republic of East L.A.

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Luis J. Rodríguez

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“Am I in the wrong place here, or in the wrong life? Did I not recognize, as I sat in a train that raced past a station and did not stop, that I was on the wrong train, and did I not learn from the conductor that the train would not stop at the next station, either, a hundred kilometers away, and did he not also admit to me, whispering with his hand shielding his mouth, that the train would not stop again at all?”

FilmCinemaMovieWerner HerzogFitzcarraldoConquest Of The Useless
Book:Conquest of the useless: reflections from the making of Fitzcarraldo
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“Ich las die Übersetzung des Piaveschen Librettos zu Ernani, herausgegeben in Zürich 1952, und im Vorwort steht in atemberaubender Dummheit, man habe die krassesten Unglaubwürdigkeiten ausgemerzt, wo doch gerade das Unfaßbare das Schöne an der Geschichte ist, oder besser: an der Gattung Oper an sich, weil gerade was von keiner auch noch so exotischen Wahrscheinlichkeitsrechnung mehr erfaßbar ist, in der Oper zu einer machtvollen Verwandlung der ganzen Welt in Musik als das Natürliche erscheint. Auch die großen Gefühle der Oper, die oft als übersteigert abgetan werden, kommen mir eher in die Gegenrichtung aufs äußerste reduziert vor, auf das Archetypische der Gefühle verdichtet, nicht mehr weiter in ihrer Essenz konzentrierbar. Es sind Axiome von Gefühlen. Das ist es, was Oper und Dschungel verbindet.”

DeutschKunstWerner HerzogOper
Book:Conquest of the useless: reflections from the making of Fitzcarraldo
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“I remembered the moment I read a novel for the first time. The texture of the soft paper touching my fingertips. The black letters blooming on a white field. The texture of the page I folded with my hands. 「 It isn’t important to read the letters. The important thing is where the letters lead you. 」 My mother, who loved books, used to say this. At least for me, it wasn’t just a saying. The gaps in the black print. My own little snow garden lay in between the letters. This space, which was too small for someone to go into, was a perfect place for a child who liked to hide. Every time a pleasant sound was heard, the letters stacked up like snow. In it, I became a hero. I had adventures, loved and dreamt. Thus, I read, read and read again. I remembered the first time I was about to finish a book. It was like being deprived of the world. The protagonist and supporting characters walked off with the sentence ‘They lived happily ever after’ and I was left alone at the end of the story. In my vanity and sense of betrayal, my young self struggled because I couldn’t stand the loneliness. 「This… is the end? 」 Perhaps it was similar to learning about death. For the first time, I realized that something was finite.”

Omniscient Reader ViewpointOrvKim DokjaSingshongLee Sookyung
Book:전지적 독자 시점 1 [Jeonjijeog Dogja Sijeom 1]
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“The light of countless constellations was shining towards him but none of them could reach Yoo Joonghyuk. No matter how many years they had lived, they couldn't understand the regressor who suffered the destruction of the world twice. The next moment, Yoo Joonghyuk heard a message. [The constellation 'Demon King of Salvation' is looking at you.] It was a star that never appeared in the last two rounds. Then why? Yoo Joonghyuk felt like the star had been there for a long time. Yoo Joonghyuk declared, "Get lost, Kim Dokja.”

Omniscient Reader ViewpointOrvKim DokjaYoo Joonghyuk
Book:전지적 독자 시점 2 [Jeonjijeog Dogja Sijeom 2]
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