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Quote by Jean Baudrillard

“The tendency of the whole of contemporary culture to become healthy and virtuous again, to recover its intellectual morality, to revive a pedagogic approach to science, history and democracy. The breach opened up by the years 1960-80 is closing; everyone is gearing up for a high-efficiency perspective which is merely an abreactive defence against the imminence of the year 2000. The long period of blackmail by threat of crisis has begun - intellectually too. Back, back to the middle ground, an end to centrifugal passions. What we had dismantled and destroyed in joy, we are rebuilding in sorrow.”

Quote by Jean Baudrillard

Book:Cool memories
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Cool memories

This book is a compilation of personal anecdotes and memories that evoke a sense of nostalgia for the reader, capturing the essence of bygone times and the emotions associated with them. more

Author

Jean Baudrillard
Jean Baudrillard

Jean Baudrillard was a French philosopher known for his critical studies on consumerism, media, and semiotics. His theories have had a profound impact on postmodernism and cultural studies. more

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“We are hardly the first victims of perfidious Soviet policy, which has, already several times in history, placed the interests of power of the Greater Russian Empire— which is probably the most suitable name for the true essence of the complicated little internal Soviet unions— above all the interests of proletarian internationalism. What was the annexation of the Baltic peoples, the Latvians, Lithuanians and Estonians? To this day, he hatred these nations feel for the Russians is so great that a European [sic] cannot even comprehend it. Mladý svět (Young World), special edition no. 4, 26 August 1968”

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“You want to know what this [war on drugs] was really all about? The Nixon campaign in 1968, and the Nixon White House after that, had two enemies: the antiwar left and black people. You understand what I’m saying? We knew we couldn’t make it illegal to be either against the war or black, but by getting the public to associate the hippies with marijuana and blacks with heroin, and then criminalizing both heavily, we could disrupt those communities. We could arrest their leaders, raid their homes, break up their meetings, and vilify them night after night on the evening news. Did we know we were lying about the drugs? Of course we did.”

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“Racism may indeed carry out the doom of the Western world and, for that matter, of the whole of human civilization. When Russians have become Slavs, when Frenchmen have assumed the role of commanders of a force noire, when Englishmen have turned into “white men,” as already for a disastrous spell all Germans became Aryans, then this change will itself signify the end of Western man. For no matter what learned scientists may say, race is, politically speaking, not the beginning of humanity but its end, not the origin of peoples but their decay, not the natural birth of man but his unnatural death.”

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“I had a chance to read Monte Christo in prison once, too, but not to the end. I observed that while Dumas tries to create a feeling of horror, he portrays the Château d'If as a rather benevolent prison. Not to mention his missing such nice details as the carrying of the latrine bucket from the cell daily, about which Dumas with the ignorance of a free person says nothing. You can figure out why Dantès could escape. For years no one searched the cell, whereas cells are supposed to be searched every week. So the tunnel was not discovered. And then they never changed the guard detail, whereas experience tells us that guards should be changed every two hours so one can check on the other. At the Château d'If they didn't enter the cells and look around for days at a time. They didn't even have any peepholes, so d'If wasn't a prison at all, it was a seaside resort. They even left a metal bowl in the cell, with which Dantès could dig through the floor. Then, finally, they trustingly sewed a dead man up in a bag without burning his flesh with a red-hot iron in the morgue and without running him through with a bayonet at the guardhouse. Dumas ought to have tightened up his premises instead of darkening the atmosphere.”

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