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Quote by Niccolò Machiavelli

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The Prince

The Prince is a seminal work in the field of political science, offering a pragmatic and often ruthless analysis of how to acquire and maintain political power. It explores the nature of leadership, the role of the state, and the use of political strategies to achieve and maintain power. Machiavelli's observations are based on his experience and study of the political landscape of his time, including the rise and fall of various Italian city-states. more

Author

Niccolò Machiavelli

Browse famous quotes and profile details for Niccolò Machiavelli. more

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“Man muß alt werden [...] und Geld genug haben, seine Erfahrungen bezahlen zu können. Jedes Bonmot, das ich sage, kostet mir eine Börse voll Gold; eine halbe Million meines Privatvermögens ist durch meine Hände gegangen, um das zu lernen, was ich jetzt weiß, nicht allein das ganze Vermögen meines Vaters, sondern auch mein Gehalt und mein bedeutendes literarisches Einkommen seit mehr als funfzig Jahren. Außerdem habe ich anderthalb Millionen zu großen Zwecken von fürstlichen Personen ausgeben sehen, denen ich nahe verbunden war und an deren Schritten, Gelingen und Mißlingen ich teilnahm. Es ist nicht genug, daß man Talent habe, es gehört mehr dazu, um gescheit zu werden; man muß auch in großen Verhältnissen leben und Gelegenheit haben, den spielenden Figuren der Zeit in die Karten zu sehen und selber zu Gewinn und Verlust mitzuspielen.”

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Book:J. P. Eckermann Gespräche mit Goethe in den Letzten Jahren Seines Lebens
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“There is one myth about writers that I have always felt was particularly pernicious and untruthful—the myth of the "lonely writer," the myth that writing is a lonely occupation, involving much suffering because, supposedly, the writer exists in a state of sensitivity which cuts him off, or raises him above, or casts him below the community around him. This is a common cliché, a hangover probably from the romantic period and the idea of the artist as a Sufferer and a Rebel. Probably any of the arts that are not performed in a chorus-line are going to come in for a certain amount of romanticizing, but it seems to me particularly bad to do this to writers and especially fiction writers, because fiction writers engage in the homeliest, and most concrete, and most unromanticizable of all arts. I suppose there have been enough genuinely lonely suffering novelists to make this seem a reasonable myth, but there is every reason to suppose that such cases are the result of less admirable qualities in these writers, qualities which have nothing to do with the vocation of writing itself.”

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Book:Mystery and Manners: Occasional Prose
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“Passionate attraction to someone of the opposite sex will make a hero or a fool of a novelist each time.”

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Book:The Love of Europa: Limited Time Edition
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