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Quote by Liz Braswell

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Straight On Till Morning

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Liz Braswell

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“I take the comb from a pocket of my new dress and then hesitate. If I begin to untangle my nimbus of snarls, he will see how badly my hair is matted and be reminded of where he found me. He stands. Good. He will leave, and then I will be able to wrangle my hair alone. But instead he steps behind me and takes the comb from my hands. 'Let me do that,' he says, taking strands of my hair in his fingers. 'It's the colour of primroses.' My shoulders tense. I am unused to people touching me. 'You don't need to-' I start. 'It's no trouble,' he says. 'I had three older sisters brushing and braiding mine, no matter how I howled. I had to learn to do theirs, in self-defence. And my mother...' His fingers are clever. He holds each lock at the base, slowly teasing out the knots at the very end and then working backward to the scalp. Under his hands, it becomes smooth ribbons. If I had done this, I would have yanked half of it out in frustration. 'Your mother...,' I echo, prompting him to continue in a voice that shakes only a little. He begins to braid, sweeping my hair up so that thick plaits become something like his circlet, wrapping around my head. 'When we were in the mortal world, away from her servants, she needed help arranging it.' His voice is soft. This, along with the slightly painful pull against my scalp, the brush of his fingertips against my neck as he separates a section, the slight frown of concentration on his face, is overwhelming. I am not accustomed to someone being this close. When I look up, his smile is all invitation. We are no longer children, playing games and hiding beneath his bed, but I feel as though this is a different kind of game, one where I do not understand the rules. With a shiver, I take up the mirror from the dresser. In this hair, and with this dress, I look pretty. The kind of pretty that allows monsters to deceive people into forests, into dances where they will find their doom.”

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Book:The Stolen Heir
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“There were no grown-ups in the room, evidently they had all run out of the apartment. ‘They’re breaking the windows,’ the boy said and called: ‘Mama!’ No one answered, and then he said: ‘Mama, I’m afraid.’ Margarita drew the little curtain aside and flew in. ‘I’m afraid,’ the boy repeated, and trembled. ‘Don’t be afraid, don’t be afraid, little one,’ said Margarita, trying to soften her criminal voice, grown husky from the wind. ‘It’s some boys breaking windows.’ ‘With a slingshot?’ the boy asked, ceasing to tremble. ‘With a slingshot, with a slingshot,’ Margarita confirmed, ‘and you go to sleep.’ ‘It’s Sitnik,’ said the boy, ‘he’s got a slingshot.’ ‘Well, of course it’s he!’ The boy looked slyly somewhere to the side and asked: ‘And where are you, ma’am?’ ‘I’m nowhere,’ answered Margarita, ‘I’m your dream.’ ‘I thought so,’ said the boy. ‘Lie down now,’ Margarita ordered, ‘put your hand under your cheek, and I’ll go on being your dream.’ ‘Well, be my dream, then,’ the boy agreed, and at once lay down and put his hand under his cheek.”

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Book:Master and Margarita: Translated from the Russian
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