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As Bright as Heaven

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Susan Meissner
Susan Meissner

Susan Meissner is an American author known for her poignant emotional descriptions and profound character development. Her works often explore themes of family, love, and faith, and are highly appreciated by readers. more

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“Christ, I feel like a naughty schoolboy again,” said Alec as they walked into King’s Bench Walk. “We have just had a dressing-down by the headmaster. Strider could easily be a man handy with a cane.” “That man Strider is a crook,” said Bing-Wallace. “His utterances are like the product of a performance of Joseph Pujol … Le Pétomane!” “Who is Joseph Pujol?” “He is a well-known French flatulist performer.” “What?” Alec stopped dead, “A fartist, dear boy, a performer of farts.” Bing-Wallace began to giggle, as did Alec.”

AtmosphericForbidden RomanceWhodunitHistorical DramaIntense DialogueLogical DeductionsComplex FriendshipsPassionate EncountersPost War HealingUncovering Lies
Book:The Wasp Trap
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“The Peacock & The Eagle: Cleopatra's Entry Into Tarsus by Stewart Stafford Cleopatra arrives, regal and mighty, From ocean spray as Aphrodite, Wealthy and waif, yearning for her, Dared all to defy her possessive aura. Mark Antony, struck by her sultry gaze, Lepidus, prisoner in a bureaucrat's maze, Sees power slipping from a friend’s hand, Ensnared by a siren from a scorched land. Lepidus was Caesar's trusted right hand; A granule falling through hourglass sand, Antony, headstrong military provocateur; Funeral orator from bloody crown auteur. Bargain's scorpion pincers; no longer twain: Cleopatra was Ceres, promising Rome grain, Antony was Mars' armed emissary, Business and pleasure's flood tributary. Antony: "Barge of emerald, Elysium's onyx! Beyond counsel words of sage sardonic, Gliding the Cydnus's silken seam, This Nile Helen shall be my queen." Lepidus: "Pleasure vessel of a floating whore, Yours for a sesterce on the Tiber's shore, Honour your oath, noble Roman creed, Lest passion’s shipwreck sets out to sea.” "This Venus virago on her mirage barge; Serpent prow, silver oars, rhythmic charge! What hubris to think she can equal, The bloody talons of our Roman eagle!" Antony: "Feast your eyes past peacock's bower, She speaks Rome's tongue of naked power. Mark it, that obsidian Sphinx stings - Human head, lion's body, eagle wings! "That is the form she takes to the public: I smell a perfumed alliance for the Republic! With Plebeians as her tickled cats, they hum, I crave her beauty and company. Come!" © 2024, Stewart Stafford. All rights reserved.”

Historical FictionEpic PoetryRoman HistoryCleopatraPolitical PoetryCharacter StudyHistorical DramaAntony And CleopatraLove And PowerMark Antony
Author:Stewart Stafford
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“[Measure for Measure] leaves me with the sense that life is all there is, so we might as well live it as best we can; that being human is not a given something we have to strive for. That the reason we are here is to live and that this involves making many difficult judgements.”

ShakespeareMeasure For MeasureRoger Allam
Book:Players of Shakespeare 3: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company
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“I began to recall my own experience when I was Mercutio’s age (late teens I decided, a year or two older than Romeo) as a pupil at a public school called Christ’s Hospital. This school is situated in the idyllic countryside of the Sussex Weald, just outside Horsham. I recalled the strange blend of raucousness and intellect amongst the cloisters, the fighting, the sport, and general sense of rebelliousness, of not wishing to seem conventional (this was the sixties); in the sixth form (we were called Grecians) the rarefied atmosphere, the assumption that of course we would go to Oxford or Cambridge; the adoption of an ascetic style, of Zen Buddhism, of baroque opera, the Velvet Underground, Frank Zappa, and Mahler; of Pound, Eliot and e. e. cummings. We perceived the world completely through art and culture. We were very young, very wise, and possessed of a kind of innocent cynicism. We wore yellow stockings, knee breeches, and an ankle length dark blue coat, with silver buttons. We had read Proust, we had read Evelyn Waugh, we knew what was what. There was a sense, fostered by us and by many teachers, that we were already up there with Lamb, Coleridge, and all the other great men who had been educated there. We certainly thought that we soared ‘above a common bound’. I suppose it is a process of constant mythologizing that is attempted at any public school. Tom Brown’s Schooldays is a good example. Girls were objects of both romantic and purely sexual, fantasy; beautiful, distant, mysterious, unobtainable, and, quite simply, not there. The real vessel for emotional exchange, whether sexually expressed or not, were our own intense friendships with each other. The process of my perceptions of Mercutio intermingling with my emotional memory continued intermittently, up to and including rehearsals. I am now aware that that possibly I re-constructed my memory somewhat, mythologised it even, excising what was irrelevant, emphasising what was useful, to accord with how I was beginning to see the part, and what I wanted to express with it. What I was seeing in Mercutio was his grief and pain at impending separation from Romeo, so I suppose I sensitised myself to that period of my life when male bonding was at its strongest for me.”

ShakespeareRomeo And JulietRoger Allam
Book:Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company
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“Zeytin, varoluşundan günümüze kadar en yüce duyguların tercümanı ve en kıymetlilerimizden oldu. Uzlaşamadıklarımıza dost eli, ağzımızın tadı, meyvelerini toplarken nasır tutan ellere merhem… Öyleyse hediye alıp verme zamanı gelince siz de tanrıça Athena gibi bilge olun ve sevdiğiniz herkesle zeytin ağacının nimetlerini paylaşın. Unutmayın! Zeytin besler, her yönüyle güzellik katar ve korur. Andolsun İnsanın Asırlık Dostuna!”

Olive Trees
Book:Zeytin Ajandası 2015
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