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Romeo And Juliet Quotes

Browse 46 quotes about Romeo And Juliet.

Romeo And Juliet Quotes

“Some people’s self-esteem was secretly improved when they discovered that their then-lovers had killed themselves over them.”

“Don't worry about it, my child. Tell yourself that you are experiencing a true love story. But of course. Have you ever seen anyone write a poem about the woman he married and who yells at him four times a day? Do you think that if Romeo and Juliet had had six children together, there would have been a book about them? You're suffering! That's why you're playing so well now!”

“When I was twelve, my sixth-grade English class went on a field trip to see Franco Zeffirelli’s film adaptation of Shakespeare’s Romeo and Juliet. From that moment forward I dreamed that someday I’d meet my own Juliet. I’d marry her and I would love her with the same passion and intensity as Romeo. The fact that their marriage lasted fewer than three days before they both were dead didn’t seem to affect my fantasy. Even if they had lived, I don’t think their relationship could have survived. Let’s face it, being that emotionally aflame, sexually charged, and transcendentally eloquent every single second can really start to grate on a person’s nerves. However, if I could find someone to love just a fraction of the way that Montague loved his Capulet, then marrying her would be worth it.”

“I said ”I love you so much it’s killing me” and you kept saying sorry so I stopped explaining for it never made sense to you what always did to me to let what you love kill you and never regret. As Romeo is dying Juliet says ”I am willing to die to remain by your side” and love was never a static place of rest but the last second of euphoria while throwing yourself out from a 20 store window to be able to say ”I flew before I hit the ground”, and it was glorious. Don’t be sorry. The fall was beautiful, dear. The crash was beautiful.”

“In high school, we barely brushed against Ogden Nash, Lewis Carroll, Edward Lear, or any of the other so-unserious writers who delight everyone they touch. This was, after all, a very expensive and important school. Instead, I was force-fed a few of Shakespeare's Greatest Hits, although the English needed translation, the broad comedy and wrenching drama were lost, and none of the magnificently dirty jokes were ever explained. (Incidentally, Romeo and Juliet, fully appreciated, might be banned in some U.S. states.) This was the Concordance again, and little more. So we'd read all the lines aloud, resign ourselves to a ponderous struggle, and soon give up the plot completely.”

“Oh love how can we not be together?' Romeo cried. "Without the sight of you every day, the smell, the taste of you, I would wither away. My blood would turn to powder in my veins. And you? Have you not found in me a mirror for your soul? When you look at me, when we speak, touch, do you not see who you really are? I dare you to deny that in my presence you love yourself better. I know this is true, for I love myself better in yours.”

“Now the combined sounds blend in. The sound of piss trickling into the bucket, or shit dropping down to splatter onto the smelly leftovers from previous visitors. The sound of grenades and bullets wreaking destruction outside. Sometimes it sounds like a rocket-propelled grenade is right over us, that we should expect the roof to cave in on us and crush us to death. But that is another thing we have gotten used to. We don’t flinch anymore when a grenade whistles overhead.” Siege”

“I was Juliet and Quinn was Romeo, and the lines weren't dead black-and-white words on a page but somehow alive, as natural and real as the argument we'd had about the spider and the fly. The rows of empty seats were gone, and we were in a candlelit ballrooom, wrapped in our own cocoon of words. But the playful banter of our words couldn't mask what we both knew--that after this, nothing would be the same . And then we got to the kissing part, which we'd only read through together and had never really rehearsed. But it didn't matter, because I was still Juliet and Quinn was still Romeo, his gray-green eyes fixed on mine. And when he bent to kiss me, it was Romeo's lips on Juliet's. Even so, Juliet was just as stunned as I would've been. When I said the last line, I was speaking for both of us. You kiss by the book.”

“It’s awful, telling it like this, isn’t it? As though we didn’t know the ending. As though it could have another ending. It’s like watching Romeo drink poison. Every time you see it you get fooled into thinking his girlfriend might wake up and stop him. Every single time you see it you want to shout, 'You stupid ass, just wait a minute,' and she’ll open her eyes! 'Oi, you, you twat, open your eyes, wake up! Don’t die this time!' But they always do.”

“Morning's Serenade by Stewart Stafford Stirred by a magpie's auction bids, I opened up our curtained eyelids, To pale dawn's reverential blinking, Beyond my lady's distant inkling. Anointed by the infant sun's rays, I stand in regal morning’s praise; Surveying virgin domain’s expanse, Before the hatchling public dance. The early-risen owl hoots carried far, The songbirds played off fading stars, Cockcrow drew in a loping red fox, Scattering fawns and sheep flocks. My lady spent, sports a drowsy crown, Her chest rises, then slowly down, Cityscape visions to last night's desire, Golden tresses tossed in oriole fire. To the kitchen, a connoisseur's start, A lover's labour, a chef's work of art, Crack avian treasures, new life's motif. Ground coffee, perfumed weekend relief. © Stewart Stafford, 2024. All rights reserved.”

“There are a million things in this world that can end you, that can in one second obliterate the life you work so hard to keep alive. Our lives are structured around not dying. Eating, sleeping, looking both ways before you cross the street. It's all, all of it, to keep us safe from the thing that we know is going to get us anyway. It doesn't even make sense, if you think about it. It's the world's biggest joke. Our entire lives are set up around not dying, knowing all the while that it's the one thing we can't avoid.”

“I recall a discussion with a highly-respected psychotherapist colleague and friend on the significance of the tragedy of Romeo and Juliet. My friend stated that the trouble with Romeo and Juliet was that they hadn't had adequate counseling. If they had had, they would not have committed suicide. Taken aback, I protested that I didn't think that was Shakespeare's point at all, and that Shakespeare, as well as the other classical writers who have created and molded the literature which speaks to us age after age, is in this drama picturing how sexual love can grasp a man and woman and hurl them into heights and depths—the simultaneous presence of which we call tragic. But my friend insisted that tragedy was a negative state and we, with our scientific enlightenment, had superseded it—or at least ought to at the earliest possible moment. I argued with him, as I do here, that to see the tragic in merely negative terms is a profound misunderstanding. Far from being a negation of life and love, the tragic is an ennobling and deepening aspect of our experience of sexuality and love. An appreciation of the tragic not only can help us avoid some egregious oversimplifications in life, but it can specifically protect us against the danger that sex and love will be banalized also in psychotherapy.”

“Larana: No! Father, you can’t kill him! Arguron King: Of course I can, my dear! I have minions, and soldiers and lots and lots of pointy – Larana: Argh! No! Arguron King: Oooh! I see! You want to kill him yourself! How like your dear mother you are! Larana: Father, listen! I don’t want him killed at all! Arguron King: I… I don’t understand what you are saying…”

“Our cake represents the best our families' bakeries Salt and Sugar have to offer," Pedro says, addressing the audience. "Two layers. There's the savory, nourishing quality of Parmesan corn and the sweetness of a guava-drizzled cake that's a reinterpretation of bolo de rolo. Two flavors that are dominant by themselves, meeting to complement each other." He points at each layer. "Salt and Sugar. Just like our families' bakeries." The judge smiles. "Thank you, kids. And what do you call your cake?" I meet Pedro's eyes. Deciding on the name wasn't hard. But saying it out loud in front of our families could go either way. "Romário and Julieta," we say in unison.”

“I began to recall my own experience when I was Mercutio’s age (late teens I decided, a year or two older than Romeo) as a pupil at a public school called Christ’s Hospital. This school is situated in the idyllic countryside of the Sussex Weald, just outside Horsham. I recalled the strange blend of raucousness and intellect amongst the cloisters, the fighting, the sport, and general sense of rebelliousness, of not wishing to seem conventional (this was the sixties); in the sixth form (we were called Grecians) the rarefied atmosphere, the assumption that of course we would go to Oxford or Cambridge; the adoption of an ascetic style, of Zen Buddhism, of baroque opera, the Velvet Underground, Frank Zappa, and Mahler; of Pound, Eliot and e. e. cummings. We perceived the world completely through art and culture. We were very young, very wise, and possessed of a kind of innocent cynicism. We wore yellow stockings, knee breeches, and an ankle length dark blue coat, with silver buttons. We had read Proust, we had read Evelyn Waugh, we knew what was what. There was a sense, fostered by us and by many teachers, that we were already up there with Lamb, Coleridge, and all the other great men who had been educated there. We certainly thought that we soared ‘above a common bound’. I suppose it is a process of constant mythologizing that is attempted at any public school. Tom Brown’s Schooldays is a good example. Girls were objects of both romantic and purely sexual, fantasy; beautiful, distant, mysterious, unobtainable, and, quite simply, not there. The real vessel for emotional exchange, whether sexually expressed or not, were our own intense friendships with each other. The process of my perceptions of Mercutio intermingling with my emotional memory continued intermittently, up to and including rehearsals. I am now aware that that possibly I re-constructed my memory somewhat, mythologised it even, excising what was irrelevant, emphasising what was useful, to accord with how I was beginning to see the part, and what I wanted to express with it. What I was seeing in Mercutio was his grief and pain at impending separation from Romeo, so I suppose I sensitised myself to that period of my life when male bonding was at its strongest for me.”

“O, mickle is the powerful grace that lies In herbs, plants, stones, and their true qualities: For nought so vile that on the earth doth live But to the earth some special good doth give, Nor aught so good but strain’d from that fair use Revolts from true birth, stumbling on abuse: Virtue itself turns vice, being misapplied; And vice sometimes by action dignified. Within the infant rind of this small flower Poison hath residence and medicine power: For this, being smelt, with that part cheers each part; Being tasted, slays all senses with the heart. Two such opposed kings encamp them still In man as well as herbs, grace and rude will; And where the worser is predominant, Full soon the canker death eats up that plant.”

“In Amorous Creeping by Stewart Stafford I scaled a trellis in randy pursuit, A rose in teeth for my paramour, A thorn lurking by a naked stem, Palmy, engorged and prescient. A pigeon said to douse my ardour, A talkative fowl, plainly no pidgin, Snorts for this priggish counsel, Blind shoots, driving me upward. A wriggling worm to her chamber, Inside I crept as she lay sleeping, Sweeping a spectral sheet off her, To lay until the dawn chorus sings. © Stewart Stafford, 2023. All rights reserved.”

“I’m serious,” Donovan grunts, throwing the crumpled ball at Nolan. “Even if they succeeded, they were fucked. Two teenage rich kids running away to do what? Become farmers? They had servants that did everything for them. They wouldn’t have lasted a week.” Kaleb sighs from the other side of Connor. “That’s not the point of the play. It’s a commentary on values and what you have to lose when you let petty things get in the way of what truly matters, your family and loved ones.”

“Hey, hold up!” I drop the pickax to the ground and jog after K.T. I pull a roundish piece of amethyst about half the size of my palm out of my pocket and hold it out. “Would you give this to her?” K.T. tilts her head to the side as she takes the stone and examines it. “Pretty. Is it amethyst?” “Yeah.” “Why don’t you give it to her yourself?” I shove my hands in my pockets and shrug. There’s no answer I can give that wouldn’t either sound crazy or be an outright lie. K.T. smiles and slips the stone into her pocket. “All right, Romeo. I’ll go see if I can get Juliet to come to the ball tonight.” K.T. winks and walks around to the front of the house.”

“I've played Romeo for Juliet (But in depth) It's vignettes of silhouettes (And then read) And watched Russian roulette, yeah red Soviet Yet doing it simultaneously While dropping down shed oubliettes Turned around and took truth to the head that Love is the ugliest thing too beautiful for death”

“Love's Great Adventure by Stewart Stafford Look out for the wandering eye, And the fervour that follows it, A jewel clasped is the first part, Guarding against theft is trickier. Surreptitious teases acted out then, The Rubicon crossed and drained, Love, blind to impediment boundaries, Prized contagion spread as lightning. Rival houses intrude to spoil it, To still the fluttering of butterflies, And the bosom of Eros heaving, Unstoppable to every homo sapien. Here, I'll act as Cupid's emissary, Whisper lovers' spells in my ear, I'll parrot them to her to the letter, So lured, she'll have me over you. Groggy from humid moon nectar, On summertime clouded visions, A second an hour, as a day a year, Arousal of fire in swelled chests. Stallions of the Venus chariot, Borne freely to the new Arcadia, Feet skimming over terra firma, The youthful mask smothers all. © Stewart Stafford, 2023. All rights reserved.”

“She bent down to smell a red rose when a deep male voice interrupted her, causing her heart to leap into her throat. "A rose by any other name would smell as sweet." Ay, Dios mio. Her pulse ratcheted back down. Did he really just quote Romeo and Juliet? What a player. She looked up. Whoa---sexy dead mariachi alert! Was she dreaming? Her heart stuttered. A tall man with a strong jawline and twinkling dark eyes framed by impossibly long eyelashes stood before her. He was definitely handsome, even though his face was obscured by makeup. His charro suit seemed painted on his muscular body. He winked at her, which caused her to grin unabashedly. The shiny silver buttons on the sides of his tight black pants outlined his legs. She couldn't help but stare at his strong thighs... and that huge bulge in his pants. Breathe, Julieta, breathe.”

“Tis torture and not mercy. Heaven is here, Where Juliet lives, and every cat and dog And little mouse, every unworthy thing, Live here in heaven and may look on her, But Romeo may not. More validity, More honorable state, more courtship lives In carrion flies than Romeo. They may seize On the white wonder of dear Juliet’s hand And steal immortal blessing from her lips, Who even in pure and vestal modesty, Still blush, as thinking their own kisses sin. But Romeo may not. He is banishèd. Flies may do this, but I from this must fly. They are free men, but I am banishèd. And sayst thou yet that exile is not death? Hadst thou no poison mixed, no sharp-ground knife, No sudden mean of death, though ne'er so mean, But “banishèd” to kill me?—“Banishèd”! O Friar, the damnèd use that word in hell. Howling attends it. How hast thou the heart, Being a divine, a ghostly confessor, A sin-absolver, and my friend professed, To mangle me with that word “banishèd”?”

“I take you, Juliette Cai," Roma whispered in concentration, "to be my lawfully wedded wife, to have and to hold, until..." He looked up as he finished the knot. Paused. When he spoke again, he did not look away. "No, scratch that. To have and to hold, where even death cannot part us. In this life and the next, for however long our souls remain, mine will always find yours. Those are my vows to you.”