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Quote by Monique Truong

“When I was growing up, the taste of pancakes meant the kind that my great-uncle made for me from Bisquick. If condensed cream of mushroom soup was the Great Assimilator, then this "instant" baking mix was the American Dream. With it, we could do anything. Biscuits, waffles, coffee cakes, muffins, dumplings, and the list continues to grow even now in a brightly lit test kitchen full of optimism. My great-uncle used Bisquick for only one purpose, which was to make pancakes, but he liked knowing that the possibilities, the sweet and the savory, were all in that cheery yellow box. Baby Harper wasn't a fat man, but he ate like a fat man. His idea of an afternoon snack was a stack of pancakes, piled three high. After dancing together, Baby Harper and I would go into his kitchen, where he would make the dream happen. He ate his pancakes with butter and Log Cabin syrup, and I ate my one pancake plain, each bite a fluffy amalgam of dried milk and vanillin. A chemical stand-in for vanilla extract, vanillin was the cheap perfume of all the instant, industrialized baked goods of my childhood. I recognized its signature note in all the cookies that DeAnne brought home from the supermarket: Nilla Wafers, Chips Ahoy!, Lorna Doones. I loved them all. They belonged, it seemed to me, to the same family, baked by the same faceless mother or grandmother in the back of our local Piggly Wiggly supermarket. The first time that I tasted pancakes made from scratch was in 1990, when Leo, a.k.a. the parsnip, made them for me. We had just begun dating, and homemade pancakes was the ace up his sleeve. He shook buttermilk. He melted butter. He grated lemon zest. There was even a spoonful of pure vanilla extract. I couldn't bring myself to call what he made for us "pancakes." There were no similarities between those delicate disks and what my great-uncle and I had shared so often in the middle of the afternoon.”

Quote by Monique Truong

Work

Bitter in the Mouth

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Author

Monique Truong
Monique Truong

Monique Truong is a Vietnamese-American writer born on May 13, 1968. Her works are renowned for their profound depiction of the Vietnam War and its impact on individuals and families. Truong's writing includes novels, essays, and poetry, influenced by both Vietnamese culture and American literary traditions. more

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“She reached for a bottle on the counter behind Eleanor and rubbed a drop of vanilla behind each of the girl's ears. Eleanor raised her shoulders like it tickled. "Why do you always do that? I smell like a Strawberry Shortcake doll." "I do it," her mom said, "because it's cheaper than perfume, but it smells just as good." Then she rubbed some vanilla behind her own ears and laughed.”

“A rare orchid that gives off its scent only at night," Nettle replied. "The petals are pure white, far more delicate even than jasmine. One cannot obtain the essence by heating the blossoms- they are too fragile." "Cold enfleurage, then?" Lillian murmured, referring to the process of soaking the precious petals in sheets of fat until it was saturated with their fragrance, then using an alcohol-based solvent to draw out the pure essence. "Yes." She took another breath of the exquisite essence. "What is the orchid's name?" "Lady of the Night." That elicited a delighted chuckle from Daisy. "That sounds like the title of one of the novels my mother has forbidden me to read.”

“But why shouldn't I thank someone for doing me a service?" he heard Lillian ask with genuine perplexity. "It's polite to say thank you, isn't it?" "You should no more thank a servant than you would think a horse for allowing you to ride it, or a table for bearing the dishes you place upon it." "Well, we're not discussing animals or inanimate objects, are we? A footman is a person." "No," the countess said coldly. "A footman is a servant." "And a servant is a person," Lillian said stubbornly. The elderly woman sighed in exasperation. "Whatever your view of a footman is, you must not thank him at dinner. Servants neither expect nor desire such condescension, and if you insist on putting them in the awkward position of having to respond to your remarks, they will think badly of you... as will everyone else. Do not insult me with that vapid stare, Miss Bowman! You come from a family of means- surely you employed servants at your New York residence!" "Yes," Lillian acknowledged pertly, "but we talked to ours.”

“Every now and then the breeze carries a distinct hint of eau de sheep." "Really?" Annabelle sniffed experimentally. "I don't smell a thing." "That's because you don't have a nose," Lillian replied. "I beg your pardon?" Annabelle asked with a quizzical grin. "Oh, you have a regular sort of nose," Lillian explained, "but I have 'a nose.' I'm unusually sensitive to smell. Give me any perfume, and I can separate it into all its parts. Rather like listening to a musical chord and dividing all its notes. Before we left New York, I even helped to develop a formula for scented soap, for my father's factory." "Could you create a perfume, do you think?" Annabelle asked in fascination. "I daresay I could create an excellent perfume," Lillian said confidently.”

“Damn," Westcliff finally exclaimed. "I have occasional business dealings with their father. How am I supposed to face Thomas Bowman without remembering that I've seen his daughter in her underwear?" "Daughters," Simon corrected. "They were both there." "I only noticed the taller one." "Lillian?" "Yes, that one." A scowl crossed Westcliff's face. "Good God, no wonder they're all unmarried! They're heathens even by American standards. And the way that woman spoke to me, as if I should have been embarrassed to interrupt their pagan revelry-”