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Quote by Lisa Kleypas

“As Lillian walked into the orangery, she was suffused in the scent of... oranges. But lemons, bays, and myrtles also cast their fragrance extravagantly through the gently heated air.”

Quote by Lisa Kleypas

Book:It Happened One Autumn
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It Happened One Autumn

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Lisa Kleypas
Lisa Kleypas

Lisa Kleypas, born in 1964, is a renowned American romance novel author. Her works are known for their delicate emotional descriptions and captivating storylines, which have won the hearts of numerous readers. more

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“But why shouldn't I thank someone for doing me a service?" he heard Lillian ask with genuine perplexity. "It's polite to say thank you, isn't it?" "You should no more thank a servant than you would thank a horse for allowing you to ride it, or a table for bearing the dishes you place upon it." "Well, we're not discussing animals or inanimate objects, are we? A footman is a person." "No," the countess said coldly. "A footman is a servant." "And a servant is a person," Lillian said stubbornly. The elderly woman sighed in exasperation. "Whatever your view of a footman is, you must not thank him at dinner. Servants neither expect nor desire such condescension, and if you insist on putting them in the awkward position of having to respond to your remarks, they will think badly of you... as will everyone else. Do not insult me with that vapid stare, Miss Bowman! You come from a family of means- surely you employed servants at your New York residence!" "Yes," Lillian acknowledged pertly, "but we talked to ours.”

Lillian BowmanBack Talk
Book:It Happened One Autumn
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“You are a rebellion, a useless retaliation against a ghost. And when the novelty of his vulgar bride wears thin, the earl will come to despise you as I do. But by then it will be too late. The lineage will be ruined." Lillian remained expressionless, though she felt the color drain from her face. No one, she realized, had ever looked at her with real hatred until now. It was clear that the countess wished every ill upon her short of death- perhaps not even barring that. Rather than shrink, cry, or protest, however, Lillian found herself launching a counterattack. "Maybe he wants to marry me as a retaliation against you, my lady. In which case I am delighted to serve as the means of reprisal.”

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Book:It Happened One Autumn
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“Lillian tells everyone about her flaws," Daisy said, her brown eyes twinkling. "She's proud of them." "I do have a terrible temper," Lillian acknowledged smugly. "And I can curse like a sailor." "Who taught you to do that?" Annabelle asked. "My grandmother. She was a washerwoman. And my grandfather was the soap maker from whom she bought her supplies. Since she worked near the docks, most of her customers were sailors and dockers, who taught her words so vulgar that it would curl your hair ribbons to hear them.”

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“No one's ever had this effect on me before. I feel ten times more alive." She laughed self-consciously. "Does that sound silly?" "Not at all. I understand. Your mother had the same effect on me." "Did she?" The earl let out a gravelly chuckle as he thought back to those days. "She was a fearless, free-spirited beauty with all the self-restraint of an unbroken horse. I knew she wasn't to the only life I could offer her. But I was mesmerized by her. I loved her enthusiasm and warmth, and everything that made her different from me. I thought if we were both willing to take a chance on each other, we might have a good marriage. It's turned out to be an extraordinary one." "No regrets, then?" Merritt dared to ask. "Even in the privacy of your own thoughts?" "Never," he said promptly. "Without Lillian, I would never have known true happiness. I don't hold with the common wisdom that a couple must have the same tastes and backgrounds. Married life would be dull indeed without some friction: one can't light a match without it." Merritt smiled. "I adore you, Papa. You've made it nearly impossible for me to find a man who doesn't suffer in comparison to you.”

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“Mellas was transported outside himself, beyond himself. It was as if his mind watched eveything coolly while his body raced wildly with passion and fear. He was frightened beyond any fear he had ever known. But this brilliant and intense fear, this terrible here and now, combined with the crucial significance of every movement of his body, pushed him over a barrier whose existence he had not known about until this moment. He gave himself over completely to the god of war within him.”

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“What is more transformative than the female form? What is more of a symbol of eternal growth and change than the Goddess? The eternal spiral of cre- ation. Coiled like a serpent, our shakti energy sits, waiting to be awakened within all of us. What our bodies and beings were built for. What we were created to do. Change. Create. Create the change.”

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“Then there's the pillar statue in the semi-subterranean temple at Tiahuanaco [Bolivia]. Like the Totem Pole of Göbekli Tepe, it is anthropomorphic. Like the Totem Pole at Göbekli Tepe, it has serpents writhing up its side. Like the Totem Pole at Göbekli Tepe, the long fingers of its hands almost meet in front of its body. The face is human not animal, however, and it's heavily bearded. Nonetheless, the figure of an animal is carved on the side of its head and this animal resembles no known species more closely than it does Toxodon, a sort of New World rhino that went extinct during the cataclysms at the end of the Ice Age around 12,000 years ago. This isn't pareidolia--the figure is definitely there. So there's only one question--and it's difficult to answer: is this a depiction of Toxodon, or is it some creature of the artist's imagination?”

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