Quotessence
Home / Quotes / Quote by Nikita Gill

Quote by Nikita Gill

Work

Wild Embers: Poems of Rebellion, Fire and Beauty

Browse quotes and source details for this work. more

Author

Nikita Gill

Browse famous quotes and profile details for Nikita Gill. more

You May Also Like

“As electrical energy can create mechanical vibrations (perceived as sound by the human ear), so in turn can mechanical vibrations create electrical energy, such as the previously mentioned ball lightning. It could be theorized, therefore, that with the Earth being a source for mechanical vibration, or sound, and the vibrations being of a usable amplitude and frequency, then the Earth's vibrations could be a source of energy that we could tap into. Moreover, if we were to discover that a structure with a certain shape, such as a pyramid, was able to effectively act as a resonator for the vibrations coming from within the Earth, then we would have a reliable and inexpensive source of energy.”

EnergyEngineeringPyramidsVibrationMegalithic MonumentsFree Energy
Book:The Giza Power Plant: Technologies of Ancient Egypt
Create image

“Energy is the basis of creating electricity that we can utilize, so how can we harness the power of an earthquake? Obviously, today, if that much energy were being drawn from the Earth through the Great Pyramid, tourists would not be parading through it every day. In order for the system to work, the pyramid would need to be mechanically coupled with the Earth and vibrating in sympathy with it. To do this, the system would need to be "primed"—we would need to initiate oscillation of the pyramid before we could tap into the Earth's oscillations. After the initial priming pulse, though, the pyramid would be coupled with the Earth and could draw off its energy. In effect, the Great Pyramid would feed into the Earth a little energy and receive an enormous amount out of it in return. How do we cause a mass of stone that weighs 5,273,834 tons to oscillate? It would seem an impossible task. Yet there was a man in recent history who claimed he could do just that! Nikola Tesla, a physicist and inventor with more than six hundred patents to his credit—one of them being the AC generator—created a device he called an "earthquake machine." By applying vibration at the resonant frequency of a building, he claimed he could shake the building apart. In fact, it is reported that he had to turn his machine off before the building he was testing it in came down around him. [...] The New York World-Telegram reported Tesla's comments from a news briefing at the hotel New Yorker on July 11, 1935: 'I was experimenting with vibrations. I had one of my machines going and I wanted to see if I could get it in tune with the vibration of the building. I put it up notch after notch. There was a peculiar cracking sound. I asked my assistants where did the sound come from. They did not know. I put the machine up a few more notches. There was a louder cracking sound. I knew I was approaching the vibration of the steel building. I pushed the machine a little higher. Suddenly, all the heavy machinery in the place was flying around. I grabbed a hammer and broke the machine. The building would have been about our ears in another few minutes. Outside in the street there was pandemonium. The police and ambulances arrived. I told my assistants to say nothing. We told the police it must have been an earthquake. That's all they ever knew about it.”

EnergyEngineeringVibrationsPyramidsMegalithic MonumentsNikola TeslaFree Energy
Book:The Giza Power Plant: Technologies of Ancient Egypt
Create image

“Subsequent experiments conducted by Tom Danley in the King's Chamber of the Great Pyramid and in Chambers above the King's Chamber suggest that the pyramid was constructed with a sonic purpose. Danley identifies four resident frequencies, or notes, that are enhanced by the structure of the pyramid, and by the materials used in its construction. The notes form an F Sharp chord, which according to ancient Egyptian texts were the harmonic of our planet. Moreover, Danley's tests show that these frequencies are present in the King's Chamber even when no sounds are being produced. They are there in frequencies that range from 16 Hertz down to 1/2 Hertz, well below the range of human hearing. According to Danley, these vibrations are caused by the wind blowing across the ends of the so-called shafts—in the same way as sounds are created when one blows across the top of a bottle.”

ExperimentsEngineeringPyramidsVibrationMegalithic MonumentsHarmonics
Book:The Giza Power Plant: Technologies of Ancient Egypt
Create image

“At Göbekli Tepe there is a creature, sculted in high-relief, identified by Klaus Schmidt as a beast of prey with splayed claws and powerful shoulders, its tail bent to its left over its body. A very similar animal is seen at Cutimbo [in Peru] with the same splayed claws and the same powerful shoulders, while the tail instead of being bent to its left is bent to its right. At both Göbekli Tepe and Cutimbo, reliefs of salamanders and of serpents are found. The style of execution in all cases is very similar. At about the level of the genitals of the so-called "Totem Pole" of Göbekli Tepe, a small head and two arms protrude. The head has a determined look, with prominent brows. The long fingers of the hands almost meet. The posture is that of a man leaning down through the stone and playing a drum. This is also the posture of two figures at Cutimbo, who emerge from a large convex block on one of the circular towers. They have the same determined features and prominent brow ridges as the figure on the "Totem Pole." The two serpents on the side of the "Totem Pole" have peculiarly large heads, making them look almost like sperm. So, too, does the serpent that emerges from the dark narrow entrance of the Temple of the Moon above Cuzco. Lions feature in the reliefs at Göbekli Tepe, pumas feature in the reliefs at Cutimbo and again the manner of representation is similar.”

CoincidencesMegalithic MonumentsMegalithic StructuresGöbekli TepeCutimbo
Book:Magicians of the Gods: The Forgotten Wisdom of Earth's Lost Civilization
Create image

“The object of art is not to make salable pictures. It is to save yourself. The fools who write articles about me think that one morning I suddenly decided to write and began to produce masterpieces. There is no special trick about writing or painting either. I wrote constantly for 15 years before I produced anything with any solidity to it.... The thing of course, is to make yourself alive. Most people remain all of their lives in a stupor. The point of being an artist is that you may live.... You won't arrive. It is an endless search.”

LifeWritingArtPracticeLivingMeaningArtists
Author:Sherwood Anderson
Create image

“Many of the other megalithic works at Machu Pic'chu show large gaps as in the two previous photos. The width of these gaps is very similar, and again suggest that a massive earthquake cataclysm, moving in a east-west direction, affected the site in the very distant past [...]. A geologist who inspected this with the author stated quite emphatically that such a drop would not have been the result of poor foundation work when the structure was made, but far more likely, again, the result of a catastrophic earthquake. She also stated that such an earthquake would have caused the rough stone and clay mortar buildings to be completely demolished. This, then, clearly indicates that the megalithic core of Machu Pic'chu, which comprises about 5-10 percent, is older than the Inca, and may in fact have been made prior to the cataclysmic event of about 12,000 years ago.”

CatastropheGeologyCataclysmMegalithic MonumentsMegalithic Structures
Book:Aftershock: The Ancient Cataclysm That Erased Human History
Create image

“In 1983 Donald Rahn of Rahn Granite Surface Plate Co. told me that diamond drills, rotating at nine hundred revolutions per minute, penetrate granite at the rate of one inch in five minutes. In 1996, Eric Leither of Tru-Stone Corp. told me that these parameters have not changed since then. The feedrate of modern drills, therefore, calculates to be .0002 inch per revolution, indicating that the ancient Egyptians drilled into granite with a feedrate that was five hundred times greater or deeper per revolution of the drill than modern drills! The other characteristics of the artifacts also pose a problem for modern drills. Somehow the Egyptians made a tapered hole with a spiral groove that was cut deeper through the harder constituent of the granite. If conventional machining methods cannot answer just one of these questions, how do we answer all three?”

EngineeringPyramidsDeep Human HistoryMegalithic MonumentsMachiningLost Human Civilizations
Book:The Giza Power Plant: Technologies of Ancient Egypt
Create image

“Ultrasonic drilling fully explains how the holes and cores found in the Valley Temple at Giza could have been cut, and it is capable of creating all the details that Petrie and I puzzled over. Unfortunately for Petrie, ultrasonic drilling was unknown at the time he made his studies, so it is not surprising that he could not find satisfactory answers to his queries. In my opinion, the application of ultrasonic machining is the only method that completely satisfies logic, from a technical viewpoint, and explains all noted phenomena. [...] The most significant detail of the drilled holes and cores studied by Petrie was that the groove was cut deeper through the quartz than through the feldspar. Quartz crystals are employed in the production of ultrasonic sound and, conversely, are responsive to the influence of vibration in the ultrasonic ranges and can be induced to vibrate at high frequency. When machining granite using ultrasonics, the harder material (quartz) would not necessarily offer more resistance, as it would during conventional machining practices. An ultrasonically vibrating tool bit would find numerous sympathetic partners, while cutting through granite, embedded right in the granite itself. Instead of resisting the cutting action, the quartz would be induced to respond and vibrate in sympathy with the high-frequency waves and amplify the abrasive action as the tool cut through it.”

EngineeringArchaeologyDeep Human HistoryMegalithic MonumentsMachiningLost Ancient Civilizations
Book:The Giza Power Plant: Technologies of Ancient Egypt
Create image