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Quote by François-Xavier Durrwell

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La morte del figlio: Il Mistero di Gesù e dell’uomo

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François-Xavier Durrwell

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“Darwin’s point about variation often goes unappreciated today in philosophical discussions, even though it has been uncontroversial for well over a century. Recent discussions of natural kinds, prompted by the seminal ideas of Saul Kripke and Hilary Putnam, often assume that one can revive essentialism. Yet if species are natural kinds no such revival is in prospect. Kripke and Putnam largely restricted their discussions to the cases of elements and compounds, and with good reason. For, given the insights of neo-Darwinism, it’s clear that the search for some analogue of the microstructural essences can’t be found. No genetic or karyotypic property will play for species the role that atomic number does for the elements.”

“Essentialism is not abotu how to get more things done; it's about how to get the right things done. It doesn't mean just doing less for the sake of less either. It is about making the wisest possible investment of your time and energy in order to operate at our highest point of contribution by doing only what is essential.”

“The men of the Red Pill who write about the ancient world would have their readers believe there is a straight line from antiquity to today, a continuity of male and female behavior...this illusion of continuity is actually an ideologically motivated strategy to resurrect ancient norms in the present day.”

“The art of the High Renaissance is absolutely secular in its outlook; even in the representations of religious subjects, it attains its ideal style not by contrasting natural with supernatural reality, but by creating a distance between the objects of natural reality itself - a distance which in the world of visual experience creates differences of value similar to those that exist between the elite and the masses in human society. Its harmony is the utopian ideal of a world from which all conflicts is excluded, and, moreover, not as a result of the rule of a democratic but of an autocratic principle. Its creations represent an enhanced, ennobled reality exempt from transitoriness and banality. Its most important stylistic principle is the restriction of the representation to the bare essentials.”

“Many of us then thought that what we needed to do was to expand the category “women” so that it could embrace Black women, Latina women, Native American women, and so forth. We thought that by doing that we would have effectively addressed the problem of the exclusivity of the category. What we didn’t realize then was that we would have to rewrite the whole category, rather than simply assimilate more women in to an unchanged category of what counts as “women.”