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“Historians, theorists, and critics of contemporary art do not directly study the proliferation of non-art images and things in contemporary society, nor do they examine from a sociological or anthropological point of view the interactions of modern people with art. They do not need to because advertising, fashion, celebrities, television, tattoos, toys, comics, pornography, politics, iPhones, and stuff in general, as well as all the many modes of beholding and possessing are already the content of so much elite contemporary art. The images, thing, and practices have already been filtered and framed by art, absorbed into artworks whose autonomy - unlike the autonomy of the premodern works - remains unchallenged. The main task of the art historian of the modern and the contemporary is to justify the value of those works. The paradoxical result is that the art history of the present has nothing to say about mass culture that art itself doesn't already tell us. So-called mass or popular culture ought to be art history's topic, but it proves too difficult to grasp. The image-surfaces enfolding us will not take on density; they melt or disintegrate too quickly, such that art is everywhere but nowhere. How should art history, with its specialized conceptual toolbox, solve the puzzle of entertainment, when society itself has two or more minds about everything, admiring, for example, Hollywood movies that break box-office records on their first weekend and at the same time revering Vincent van Gogh because he was unappreciated in his own time - and yet not knowing exactly what, if anything, differentiates a painting by van Gogh from a well-crafted movie.”

“When I was born, my parents were not aware that they were necessarily determining my behavior. They followed everyone around them. If I had been a girl, they would have painted my room pink instead of blue. Their attitude towards me would have been entirely different. All of this because they just wanted me to fit in. They wanted me to be 'normal.' They wanted to give me a 'normal' childhood. They did not know that they were paving the way for me to lead a 'normal' life in doing so. In a way, they were instructed by the society to do so.”

“When I was assigned the color blue, I was assigned how I should live. I was assigned a specific type of clothes, toys, and interests. Each individual has different capabilities and hence different interests. Imagine what would happen if someone with no hands would be asked to draw? He might achieve it somehow, but it would be an excruciating and tiring process. This is what happens when we develop a confident expectation from either Gender.”

“Most of us live a life of mediocrity. We spend our lives doing what we are expected to do. In the early stages of our lives, we try to settle in a job. Then we look for a life partner. After forty, we try to work towards our retirement funds. This is the story of the lives of most of the people around us. There might be little variances, but for the most part, the story is the same.”