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Quote by Sebastian Barry

Work

The Secret Scripture

In this novel, an elderly woman reflects on her life, sharing her personal history and the secrets she has kept. The narrative intertwines her past with her present, offering a poignant exploration of identity, mental health, and the complexities of human experience. more

Author

Sebastian Barry
Sebastian Barry

Sebastian Barry is an Irish playwright known for his profound literary style and unique perspective on history. His works have won numerous literary awards, including the Nobel Prize in Literature. more

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“Nesta only simmered, near-shaking with rage. Or cold. Cauldron, it was cold in here. Only the heated floors offered any reprieve. 'Fire,' he said, and the House obeyed. A great blaze flared to life in the hearth behind him. 'No fire,' she said, focused upon Cassian, though her words were not to him. The House seemed to ignore her. 'No fire,' she ordered. He could have sworn she blanched slightly. For a heartbeat, he was again in Rhys's mother's house in Windhaven. She'd been staring and staring into the fire, as if speaking to it, as if unaware that even he was there. The fire crackled and popped. Nesta seethed to the open air. 'I said-' A log cracked, as if the House was merrily ignoring her, adding heat to the flame. But Nesta flinched. Barely a blink and half a shudder, but her entire body went rigid. Fear and dread flashed over her features, then vanished. Strange.”

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“She didn't want to be in her head, didn't want to be in her body. Wanted the beating of drums and the riotous song of a fiddle to fill her with sound, to silence any thoughts. Wanted to find a bottle of wine and drink deep, let the wine pull her out of herself, set her mind drifting and numb.”

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“It seems blasphemous that my mother's death even existed in the same reality as those moments that subsequently came to define my youth; taking the long way home from Nixon's Corner so I could listen to Kid A twice, or poring over the lurid covers of horror paperbacks in a newly discovered corner of Foyle Street library. How is my mother's passing even part of the same universe that gave me the simple pleasures of ice cream after swimming lessons in William Street baths, or scenting the sun cream on girls' skin as they daubed polish on their outstretched, nonchalant nails. My life wasn't over from that point on. I'd laugh and cry and scream about borrowed jumpers, school fights, bomb scares, playing Zelda, teenage bands, primary-school crushes and yet more ice cream after yet more swimming lessons. I'd just be doing it without her. To some extent, I'd be doing it without a memory of her. The most dramatic moment of my life wasn't scored by wailing sirens, weeping angels or sad little ukuleles, nimbly plucked on lonely hillsides. Mammy's death was mostly signalled by tea, sandwiches, and an odd little boy in corduroy trousers, announcing it with a smile across his face.”

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“Everyone's grief is on a different timetable. You'll know when you're ready. ... I lost my grandmother when I was nine, and while it's not the same as your grief, the loss was like a piece of gum. The longer I chewed it, the less flavor it had. And then one day I swallowed it. So I'm not chewing it every day, but it's still inside me. And I heard that gum takes, like, seventy-two years to digest, so ...”

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