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Quote by Italo Calvino

“So here you are now, ready to attack the first lines of the first page. You prepare to recognize the unmistakable tone of the author. No. You don't recognize it at all. But now that you think about it, who ever said this author had an unmistakable tone? On the contrary, he is known as an author who changes greatly from one book to the next. And in these very changes you recognize him as himself. Here, however, he seems to have absolutely no connection with all the rest he has written, at least as far as you can recall. Are you disappointed? Let’s see. Perhaps at first you feel a bit lost, as when a person appears who, from the name, you identified with a certain face, and you try to make the features you are seeing tally with those you had in mind, and it won’t work. But you go on and you realize that the book is readable nevertheless, independently of what you expected of the author, it’s the book itself that arouses your curiosity, in fact, on sober reflection, you prefer it this way, confronting something and not quite knowing yet what it is.”

Book:If on a winter's night a traveler

Work

If on a winter's night a traveler

This novel is a postmodern work that combines elements of fantasy, science fiction, and metafiction. It follows the story of a reader who becomes immersed in a series of tales, each with its own unique style and ending. The narrative structure is non-linear and often self-referential, challenging the reader's perception of reality and the nature of storytelling. more

Author

Italo Calvino

Italian writer and journalist, known for his unique narrative style and rich imagination. Calvino is considered one of the greatest writers of the 20th century, whose works have had a profound impact on literature both in Italy and around the world. more

“Reading is a discontinuous and fragmentary operation. Or rather, the object of reading is punctiform and pulviscular material. In the spreading expanse of the writing, the reader’s attention isolates some minimal segments, juxtapositions of words, metaphors, syntactic nexuses, logical passages, lexical peculiarities that prove to possess an extremely concentrated density of meaning. They are like elemental particles making up the work’s nucleus, around which all the rest revolves or else like the void at the bottom of a vortex which sucks in and swallows currents. It is through these apertures that, in barely perceptible flashes, the truth the book may bear is revealed, its ultimate substance. Myth and mysteries consist of impalpable little granules like the pollen that sticks to a butterfly’s legs, only those who have realized this can expect revelations and illuminations. This is why my attention, in contrast to what you, sir, were saying, cannot be detached from the written lines even for an instant. I must not be distracted if I do not wish to miss some valuable clue. Every time I come upon one of these clumps of meaning I must go on digging around to see if the nugget extends into a vein. This is why my reading has no end. I read and reread, each time seeking the confirmation of a new discovery among the folds of the sentences.”

Reading

Book:If on a winter's night a traveler

Source: If on a winter's night a traveler

“I opened it the way we used to open Hafez, closing our eyes, asking our question and letting our finger rest somewhere at random. It opened to the page in the middle of "Burt Norton,' beginning with the lines "At the still point of the turning world. Neither flesh nor/fleshless./ Neither from not toward; at the still point,there the dance/is.”

Reading Books Questions

Book:Reading Lolita in Tehran: A Memoir in Books

Source: Reading Lolita in Tehran: A Memoir in Books

“why do they think that when you are occupied reading the L.A. Times or perhaps a fine novel that in reality you are dying of loneliness and in specific need of their company?”

Reading Quiet Time Intrusions

Book:Binge

Source: Binge