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Quote by H.G. Wells

“He knew clearly enough that his imagination was growing traitor to him, and yet at times it seemed the ship he sailed in, his fellow-passengers, the sailors, the wide sea, were all part of a filmy phantasmagoria that hung, scarcely veiling it, between him and a horrible real world. Then the Porroh man, thrusting his diabolical face through that curtain, was the one real and undeniable thing. At that he would get up and touch things, taste something, gnaw something, burn his hand with a match, or run a needle into himself. ("Pollock And The Porrah Man")”

Quote by H.G. Wells

Book:Great Tales of Horror and the Supernatural
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Great Tales of Horror and the Supernatural

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H.G. Wells

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“It's my opinion he don't want to kill you,' said Perea - 'at least not yet. I've heard deir idea is to scar and worry a man wid deir spells, and narrow misses, and rheumatic pains, and bad dreams, and all dat, until he's sick of life. Of course, it's all talk, you know. You mustn't worry about it. But I wunder what he'll be up to next.' 'I shall have to be up to something first,' said Pollock, staring gloomily at the greasy cards that Perea was putting on the table. 'It don't suit my dignity to be followed about, and shot at, and blighted in this way. I wonder if Porroh hokey-pokey upsets your luck at cards.' He looked at Perea suspiciously. 'Very likely it does,' said Perea warmly, shuffling. 'Dey are wonderful people.' ("Pollock And The Porrah Man")”

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Book:Great Tales of Horror and the Supernatural
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“Joseph Smith was not concerned about how divination and money digging would impact his social, political, and religious reputation. His teenage years were not formed in an environment where magic was the primary influence upon him or others...but at the same time, it was not uncommon for people to take interest in the supernatural. Other religious leaders who were at one time interested in the folklore of magic generally did not have to justify their curiosity.... ...[R]esearch has shown that between 1810 and 1840 there was an apparent increase in the use of both seer stones and divining rods to find buried treasure in the American northwest frontier. Searching for buried treasure was usually done with a divining rod, in a similar fashion similar to searching for subterranean water but in this case involving the use of seer stones. ... The supernatural element was important to money digging, and modern historians studying the use of seer stones in the Book of Mormon translation process often look at Joseph's money-digging days for answers or clues to understand the translation process better. The decision to make this comparison, though, is structured around a division: the idea that money digging was a nonreligious endeavor, while the translation of the Book of Mormon was decidedly religious in nature. However, these are labels imposed by the modern perspective, and they ignore that both treasure seeking and translating were likely perceived by Joseph's early converts as supernatural events. Early believers did not necessarily struggle with the fusion of Joseph the treasure seeker and Joseph the translator, even if future Church members would.”

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Author:Michael Hubbard MacKay
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“The uniqueness of Iago, like the uniqueness of modern war, does not lie in the spirit of destruction. That has always been common enough. It lies in the genius he dedicates to destructive ends. Modern war would not recognize itself in the portraits of Shakespeare’s classical and feudal fighters, in Hector and Hotspur, in Faulconbridge and Coriolanus, or in Othello himself. But let it look in the glass and it will behold Iago. In him Shakespeare reveals , with clarity of nightmare, the unrestrained intellect, instead of being opposite of force, and an antidote for it, as much of the modern world thinks, is force functioning on a nother plane. It is the immoral equivalent of war, and as certain to clead to it in due seasons as Iago’s machinations were to lead to death. “All other knowledge is hurtful,” says Montaigne, “to him who has not the science of honesty and goodness.”

ShakespeareModern WarfareIago
Author:Harold C. Goddard
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“The delibarate placing of the highest intellectual gifs and achievement at the service of the lowest human instincts is a phenomenon with which the twentieth century is acquainted on a scale never previously attained. And whether the instinct be fear (the main defensive one) or revenge possessed (the main offensive ones) makes little difference in the end, so readily do they pass into one another. It is no recent discovery that brain as well as brawn is esential to the efficient figher. The Trojan Horse is the perennial symbol of that truth, and it is appropriate that Shakespeare put on the lips of Ulysses an encomium on the “still and mental parts” of war. But it remained for war in our time to effect the total mobilization of those still and mental parts. The ideological warfare that precedes and precipitates the physical conflict (cold war as it has significantly come to be called); the propaganda that prepares and unifies public opinion; the conscription, in a dozen spheres, of the nation’s brains; the organization of what is revealingly known as the intelligence service; but most of all the practical absorption of science into the military effort; these things, apart from the knowledge and skill required for actual fighting, permit us to define modern war, once it is begun, as an unreserved dedication of the human intellect to death and destruction.”

ShakespeareModern WarfareIago
Author:Harold C. Goddard
Create image

“The deliberate placing of the highest intellectual gifs and achievement at the service of the lowest human instincts is a phenomenon with which the twentieth century is acquainted on a scale never previously attained. And whether the instinct be fear (the main defensive one) or revenge possessed (the main offensive ones) makes little difference in the end, so readily do they pass into one another. It is no recent discovery that brain as well as brawn is esential to the efficient figher. The Trojan Horse is the perennial symbol of that truth, and it is appropriate that Shakespeare put on the lips of Ulysses an encomium on the “still and mental parts” of war. But it remained for war in our time to effect the total mobilization of those still and mental parts. The ideological warfare that precedes and precipitates the physical conflict (cold war as it has significantly come to be called); the propaganda that prepares and unifies public opinion; the conscription, in a dozen spheres, of the nation’s brains; the organization of what is revealingly known as the intelligence service; but most of all the practical absorption of science into the military effort; these things, apart from the knowledge and skill required for actual fighting, permit us to define modern war, once it is begun, as an unreserved dedication of the human intellect to death and destruction.”

ShakespeareModern WarfareIago
Author:Harold C. Goddard
Create image

“The deliberate placing of the highest intellectual gifts and achievement at the service of the lowest human instincts is a phenomenon with which the twentieth century is acquainted on a scale never previously attained. And whether the instinct be fear (the main defensive one) or revenge possessed (the main offensive ones) makes little difference in the end, so readily do they pass into one another. It is no recent discovery that brain as well as brawn is esential to the efficient figher. The Trojan Horse is the perennial symbol of that truth, and it is appropriate that Shakespeare put on the lips of Ulysses an encomium on the “still and mental parts” of war. But it remained for war in our time to effect the total mobilization of those still and mental parts. The ideological warfare that precedes and precipitates the physical conflict (cold war as it has significantly come to be called); the propaganda that prepares and unifies public opinion; the conscription, in a dozen spheres, of the nation’s brains; the organization of what is revealingly known as the intelligence service; but most of all the practical absorption of science into the military effort; these things, apart from the knowledge and skill required for actual fighting, permit us to define modern war, once it is begun, as an unreserved dedication of the human intellect to death and destruction.”

ShakespeareModern WarfareIago
Author:Harold C. Goddard
Create image