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Quote by Louis Yako

“The first problem with the “how can we help the refugees” question is the question itself. The premise of the question is flawed and problematic at two levels: first, it draws a clear boundary in power relations by assuming more power to the ‘we’, the Western people doing the ‘helping’, and therefore simultaneously grants them the power of choosing to deny refugees this ‘help’, if so they choose.”

Quote by Louis Yako

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Louis Yako

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“Should we then be surprised that when Western powers destroy a certain country that there will be an influx of refugees? Do we expect these wars to happen and for their effects to simply stay 'over there'? How can we really expect all this to happen while people here carry on doing business as usual? Do Westerners expect to just relax and enjoy a cold crisp beer on their porches on a warm summer night and see no refugees before their eyes after all these wars waged by their governments?”

“The few powerful Western elites…benefit from wars twice: first, by destroying other countries and stealing their resources under different pretexts. Second, by bringing millions of refugees to Western countries and using them as cheap labor. This is where the strong connection between the military-industrial-complex and the refugee-industrial-complex precisely lies.”

“The atonement is designed by God to restore cracked Eikons into glory-producing Eikons by participation in the perfect Eikon, Jesus Chirst, who redeems the cosmos. To be an Eikon, then, is to be charged with a theocentric and missional life. Prior to the fall, Adam and Eve did what they were supposed to do: they “eikoned.” And cracked Eikons are being restored so that they can eikon now and so that they will eikon forever.”

“So much depends, of course, on what the individual hears when he gives himself over to the electronic tides breaking on the shore of his Seashell. The voice of conscience and reason? An echo of morality? A new thought? A fresh idea? A morsel of philosophy? Or bias, hatred, fear, prejudice, nightmare, lies, half-truths, and suspicions? Or, perhaps even worse, the sound of one emptiness striking hollowly against yet another and another emptiness, broken at two-minute intervals by a jolly commercial, preferably in rhymed quatrains or couplets?”