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Quote by Howard Tayler

“You know... confessing to avoid prosecution is a time-honored strategy. I don't want to be honored with time. Honor me with "slap-on-the-wrist," or maybe even "scot free.”

Quote by Howard Tayler

Book:Emperor Pius Dei
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Emperor Pius Dei

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Author

Howard Tayler
Howard Tayler

Howard Tayler, born on February 29, 1968, is a renowned cartoonist known for his unique sense of humor and profound themes. His most famous work is 'Schlock Mercenary', which combines elements of science fiction, fantasy, and military. Tayler is admired for his deep understanding of the genres and his ability to depict complex character relationships. more

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“How the jury responds to a victim is an enormous percentage of the verdict in any sex crimes trial–which is why prosecutors want Good Victims. In New York City, Good Victims have jobs (like stockbroker or accountant) or impeccable status (like a policeman’s wife); are well educated and articulate, and are, above all, presentable to a jury; attractive–but not too attractive, demure–but not pushovers. They should be upset–but in good taste–not so upset that they become hysterical. And they must have 100 percent trust and faith in the prosecutor, so that whatever the ADA decides to do with the case is fine with them. The criteria for a Good Victim varies with locale. In the Bible Belt, for example, the profile would be a “Christian Woman.” But the general principle remains the same. Such attitudes are not only distasteful, they are also frightening. They say that it’s O.K. to rape some people–just not us. Old-time convicts spell justice “just us”–prosecutors aren’t supposed to. Sex-crimes prosecutors are supposed to understand that the only way to keep the wolf from our own door isn’t to throw him fresh meat but to stop him the first time he darkens anybody’s door.”

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“In criminal proceedings, laymen might assume it's one person versus another, but it's not—it's the state versus the defendant. That means that you, the victim, do not have anyone on your side by default, while defendants have lawyers who are eager to tear into you from all angles. You are an asset to the state's case, not the other way around.”

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“Many Romans didn’t like the Christians. They found their reclusive behaviour offensive; their teachings foolish; their fervour irritating and their refusal to sacrifice to the emperor insulting. But for the first 250 years after the birth of Christ, the imperial policy towards them was first to ignore them and then to declare that they must not be hounded. In the encounter between the Christians and the Romans it is the former who are almost without fail remembered as the oppressed and the latter as the oppressors. Yet, apart from Nero, it was almost two and a half centuries before emperors became involved in prosecutions of Christians – and even then, as we have seen, these prosecutions were brief. This was a grace and liberty that the Christians would decline to show to other religions when they finally gained control. A little over ten years after the newly Christian Constantine took power, it is said that laws began to be passed restricting ‘the pollutions of idolatry’. During Constantine’s own reign it seems to have been decreed that ‘no one should presume to set up cult-objects, or practise divination or other occult arts, or even to sacrifice at all’. Less than fifty years after Constantine, the death penalty was announced for any who dared to sacrifice. A little over a century later, in AD 423, the Christian government announced that any pagans who still survived were to be suppressed. Though, it added confidently – and ominously: ‘We now believe that there are none.”

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“The Nobodies Fleas dream of buying themselves a dog, and nobodies dream of escaping poverty: that one magical day good luck will suddenly rain down on them---will rain down in buckets. But good luck doesn't rain down yesterday, today, tomorrow, or ever. Good luck doesn't even fall in a fine drizzle, no matter how hard the nobodies summon it, even if their left hand is tickling, or if they begin the new day with their right foot, or start the new year with a change of brooms. The nobodies: nobody's children, owners of nothing. The nobodies: the no ones, the nobodied, running like rabbits, dying through life, screwed every which way. Who are not, but could be. Who don't speak languages, but dialects. Who don't have religions, but superstitions. Who don't create art, but handicrafts. Who don't have culture, but folklore. Who are not human beings, but human resources. Who do not have faces, but arms. Who do not have names, but numbers. Who do not appear in the history of the world, but in the police blotter of the local paper. The nobodies, who are not worth the bullet that kills them.”

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“I don't know,' I cried without being heard, 'I do not know, If nobody comes, then nobody comes. I've done nobody any harm, nobody's done me any harm, but nobody will help me. A pack of nobodies. Yet that isn't all true. Only, that nobody helps me - a pack of nobodies would be rather fine, on the other hand. I'd love to go on an excursion - why not? - with a pack of nobodies. Into the mountains, of course, where else? How these nobodies jostle each other, all these lifted arms linked together, these numberless feet treading so close! Of course they are all in dress suits. We go so gaily, the wind blows through us and the gaps in our company. Our throats swell and are free in the mountains! It's a wonder that we don't burst into song.”

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“We live in the society of the capitalist spectacle, mate, the more spectacular the better. Build it and they will come, as that old baseball movie says. We worship the event, the occasion, the unmissable show. We want Super Sunday, the Thriller in Manila, the showdown of the century…the things that bring the highest profits for the capitalist organisers. If you’re not at the event, you’re nobody. Life has passed you by. That’s the tyranny of the spectacle. Yet, if you think about it, the spectacle is the biggest joke of all – because all the people at the event are desperate not to be losers. Who wants to be in a collection of people fleeing from fear of failure? Losers and the spectacle go together, the winners performing and the losers watching. The spectacle is how losers numb the pain, how they crave to be part of something, on the winning side for once. The LLN have decided to harness the society of the spectacle too, but not the capitalist version where small groups perform to large groups and get paid a fortune. Instead, the LLN offer the spectacle of life. And Revolution is the greatest spectacle of all.”

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