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Quote by Thomas Mann

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The Magic Mountain

Hermann Hesse's 'The Magic Mountain' is a profound novel that takes place in a Swiss sanatorium in the early 20th century. It follows the protagonist Hans Castorp's extended stay at the institution, where he encounters a diverse array of characters and engages in introspection. The novel delves into themes of personal growth, the nature of time, and the complexities of human relationships. more

Author

Thomas Mann
Thomas Mann

Thomas Mann, born on June 6, 1875, and died on August 12, 1955, was a German novelist and one of the greatest writers of the 20th century. Known for his profound psychological portrayals and rich imagination, his works extensively covered themes such as individual and society, history and reality. His masterpieces include 'Buddenbrooks' and 'The Magic Mountain'. more

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“The latent conflict between the intellectual and the economic upper class is nowhere openly engaged as yet, least of all by the artists, who, with their less developed social consciousness, react more slowly than their humanistic masters. But the problem, even if it is un-admitted and unexpressed is present all the time and in all places, and the whole intelligenstsia, both literary and artistic, is threatened by the danger of developing either into an uprooted, "unbourgeois", and envious class of bohemians or into a conservative, passive cringing class of academics. The humanists escape from from this alternative into their ivory tower, and finally succumb to both the dangers which they had intended to avoid.”

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“Naturally, the single individual can be wrecked by old institutions just as much as he can be destroyed by the representatives of a new world. A class, however, that believes in its ultimate victory, will regard its sacrifices as the price of victory, whereas the other class, that feels the approach of its own inevitable ruin, sees in the tragic destiny of its heroes a sign of the coming end of the world and a twilight of the gods. The destructive blows of blind fate offer no satisfaction to the optimistic middle class which believes in the victory of its cause; only the dying classes of tragic ages find comfort in the thought that in this world all great and noble things are doomed to destruction and wish to place this destruction in a transfiguring light. Perhaps the romantic philosophy of tragedy, with its apotheosis of the self-sacrificing hero, is already a sign of the decadence of the bourgeoisie. The middle class will, at any rate, not produce a tragic drama in which fate is resignedly accepted until it feels threatened with the loss of its very life; then, for the first time, it will see, as happens in Ibsen’s play, fate knocking at the door in the menacing shape of triumphant youth.”

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