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Quote by Amra Pajalic

“Mama clutched the wall, her face white with terror. 'Stupid girl!' She shook me by my shoulders. 'You can’t run out like that! Snipers will get you.' Like a long thin finger, my hometown of Srebrenica stretched in the valley between steep hills, clustered along the main road leading in and out of town. The green canopy of the birch tree forest looked like green fairy floss dotted with the burgundy terracotta tile roofs of white rendered houses. The nearby hills were a perfect vantage point for snipers. In the time it took them to shoot once, miss, and correct their target, an innocent bystander would have time to take just one step.” Fragments”

Quote by Amra Pajalic

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The Cuckoo's Song

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Amra Pajalic

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“The body clings to life at any cost. It even eats itself. When there’s no food, it turns cannibal and devours its fat, then its muscle then its bones. I’ve seen soldiers, mad with hunger and cold, chop off their own arms and cook them. How long could you go on chopping? Both arms. Both legs. Ears. Slices from the trunk. You could chop yourself down to the very end and leave the heart to beat in its ransacked palace. No. Take the heart first. Then you don’t feel the cold so much. The pain so much. With the heart gone, there’s no reason to stay your hand. Your eyes can look on death and not tremble. It’s the heart that betrays us, makes us weep, makes us bury our friends when we should be marching ahead. It’s the heart that sickens us at night and makes us hate who we are. It’s the heart that sings old songs and brings memories of warm days and makes us waver at another mile, another smoldering village. To survive the zero winter and that war we made a pyre of our hearts and put them aside forever. There’s no pawnshop for the heart. You can’t take it in and leave it awhile in a clean cloth and redeem it in better times. You can’t make sense of your passion for life in the face of death, you can only give up your passion. Only then can you begin to survive. And if you refuse? If you felt for every man you murdered, every life you broke in two, every slow and painful harvest you destroyed, every child whose future you stole, madness would throw her noose around your neck and lead you into the dark woods where the rivers are polluted, and the birds are silent. When I say I lived with heartless men, I use the word correctly.”

“When next this [Gaza war] happens (and it will happen, again and again, because a people remain under occupation and because the relative compelling powers of both revenge and consequence warp beyond recognition once one has been made to bury their child), this same framing can always be used. The barbarians instigate and the civilized are forced to respond. The starting point of history can always be shifted, such that one side is always instigating, the other always justified in response.”

“Roger had thought of mankind as mature, but there had come to him of late the same feeling he had had before in the bosom of his family. Mankind had suddenly unmasked and shown itself for what it was—still only a precocious child, with a terrible precocity. For its growth had been one sided. Its strength was growing at a speed breathless and astounding. But its vision and its poise, its sense of human justice, of kindliness and tolerance and of generous brotherly love, these had been neglected and were being left behind. Vaguely he thought of its ships of steel, its railroads and its flaming mills, its miracles, its prodigies. And the picture rose in his mind of a child, standing there of giant's size with dangerous playthings in its hands, and boastfully declaring, "I can thunder over the earth, dive in the ocean, soar on the clouds! I can shiver to atoms a mountain, I can drench whole lands with blood! I can look up and laugh at God!”

Author:Ernest Poole

“Had he actually walked streets of quiet cars, Sunday morning peace of the Tiergarten, so far away? Another life. Ice cream, a taste that could never have existed. Now they boiled nettles and were glad to get them. God, he cried out. Won't they stop? The huge British tanks came on. Another building, it might have been an apartment house or a store, a school or office; he could not tell — the ruins toppled, slid into fragments. Below in the rubble another handful of survivors buried, without even the sound of death. Death had spread out everywhere equally, over the living, the hurt, the corpses layer after layer that already had begun to smell. The stinking, quivering corpse of Berlin, the eyeless turrets still upraised, disappearing without protest like this one, this nameless edifice that man had once put up with pride.”

“My enlistment came a few years after that world-changing day in September 2001. Instead of expounding on where I was that day—we’ve all heard that story from a million different people a million different times—I’ll just say that I, an impressionable teenager, became swept up in the gross manufactured patriotism that emerged from the rubble and cancerous ashes of those fallen towers. It wasn’t the far-right, red-hat-wearing nationalism that’s disguised as the patriotism we see on television today. It was the red, white, and blue bald eagle Bud Light commercial kind of patriotism. The lifted Chevy Silverado with a yellow Support the Troops magnet and truck nuts kind of patriotism. The please rise from your seats, remove your hat, and place your hand over your heart to recite the National Anthem before you watch young men give each other CTE on the gridiron kind of patriotism. And to quote Lee Greenwood, I was “proud to be an American.”